The Boys' and Girls' Pliny: Being parts of Pliny's "Natural History" edited for boys and girls, with an IntroductionPliny, the Elder
History
The Boys' and Girls' Pliny: Being parts of Pliny's "Natural History" edited for boys and girls, with an Introduction
Pliny, the Elder
Animals -- Juvenile literature; Natural history -- Juvenile literature; Physical sciences -- Juvenile literature
It was a custom with Apelles, to which he most tenaciously adhered,
never to let any day pass, however busy he might be, without exercising
himself by tracing some outline or other; a practice which has now
passed into a proverb.[236] It was also a practice with him, when he had
completed a work, to exhibit it to the view of the passers-by in some
exposed place; while he himself, concealed behind the picture, would
listen to the criticisms that were passed upon it; it being his opinion
that the judgment of the public was preferable to his own, as being the
more discerning of the two. It was under these circumstances, they say,
that he was censured by a shoemaker for having represented the shoes
with one shoe-string too little. The next day, the shoemaker, quite
proud at seeing the former error corrected, thanks to his advice, began
to criticise the leg; upon which Apelles, full of indignation, popped
his head out, and reminded him that a shoemaker should give no opinion
beyond the shoes, a piece of advice which has passed into an equally
proverbial saying.[237] Apelles was a person of great amenity of
manners, a circumstance which rendered him particularly agreeable to
Alexander the Great, who would often come to his studio. The monarch had
forbidden, by public edict, that any other artist should represent him.
On one occasion, however, when the prince was in his studio, talking a
great deal about painting without knowing anything about it, Apelles
quietly begged that he would quit the subject, telling him that he would
get laughed at by the boys who were there grinding the colors: so great
was the influence which he rightfully possessed over a monarch, who was
otherwise of an irascible temperament. And yet, irascible as he was,
Alexander conferred upon him a very signal mark of the high estimation
in which he held him; for having, in his admiration of her extraordinary
beauty, engaged Apelles to paint Pancaste undraped, the most beloved of
his wives, the artist, while so engaged, fell in love with her; upon
which, Alexander, perceiving this to be the case, made him a present of
her, thus showing himself, though a great king in courage, a still
greater one in self-command, this action redounding no less to his honor
than any of his victories. Some are of opinion that Pancaste was the
model of Apelles in his painting of Venus rising from the waters.
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