The truth is, his liberalities, his public shows, and other munificence to the people, which were such as nothing could exceed, the glory of his ancestors, the force of his eloquence, the grace of his person, his strength of body, joined with his great courage and knowledge in military affairs, prevailed upon the Athenians to endure patiently his excesses, to indulge him in many things, and, according to their habit, to give the softest names to his faults, attributing them to youth and good nature. As, for example, he kept Agatharcus, the painter, a prisoner till he had painted his whole house, but then dismissed him with a reward. He publicly struck Taureas, who exhibited certain shows in opposition to him, and contended with him for the prize. When Aristophon, the artist, had drawn Nemea sitting and holding Alcibiades in her arms, the multitude seemed pleased with the piece, and thronged to see it, but elder people did not relish it, but looked on these things as enormities, and movements toward tyranny. So that it was not said amiss by Archestratus, that Greece could not support a second Alcibiades. Once, when Alcibiades succeeded well in an oration which he made, and the whole assembly attended upon him to do him honor, Timon, the misanthrope, did not pass slightly by him, nor avoid him, as he did others, but purposely met him, and, taking him by the hand, said, "Go on boldly, my son, and increase in credit with the people, for thou wilt one day bring them calamities enough." Some that were present laughed at the saying, and some reviled Timon; but there were others upon whom it made a deep impression.