Authors, American -- 19th century -- Biography; Twain, Mark, 1835-1910
"And how much I have enjoyed it," he said. "It is the ideal plan for
this kind of work. Narrative writing is always disappointing. The
moment you pick up a pen you begin to lose the spontaneity of the
personal relation, which contains the very essence of interest. With
short-hand dictation one can talk as if he were at his own dinner-table
always an inspiring place. I expect to dictate all the rest of my life,
if you good people are willing to come and listen to it."
The dictations thus begun continued steadily from week to week, with
increasing charm. We never knew what he was going to talk about, and it
was seldom that he knew until the moment of beginning. But it was always
fascinating, and I felt myself the most fortunate biographer in the
world, as indeed I was.
It was not all smooth sailing, however. In the course of time I began to
realize that these marvelous dictated chapters were not altogether
history, but were often partly, or even entirely, imaginary. The creator
of Tom Sawyer and Huck Finn had been embroidering old incidents or
inventing new ones too long to stick to history now, to be able to
separate the romance in his mind from the reality of the past. Also, his
memory of personal events had become inaccurate. He realized this, and
once said, in his whimsical, gentle way:
"When I was younger I could remember anything, whether it happened
or not; but I am getting old, and soon I shall remember only the
latter."
Yet it was his constant purpose to stick to fact, and especially did he
make no effort to put himself in a good light. Indeed, if you wanted to
know the worst of Mark Twain you had only to ask him for it. He would
give it to the last syllable, and he would improve upon it and pile up
his sins, and sometimes the sins of others, without stint. Certainly the
dictations were precious, for they revealed character as nothing else
could; but as material for history they often failed to stand the test of
the documents in the next room--the letters, notebooks, agreements, and
the like--from which I was gradually rebuilding the structure of the
years.
In the talks that we usually had when the dictations were ended and the
stenographer had gone I got much that was of great value. It was then
that I usually made those inquiries which we had planned in the
beginning, and his answers, coming quickly and without reflection, gave
imagination less play. Sometimes he would touch some point of special
interest and walk up and down, philosophizing, or commenting upon things
in general, in a manner not always complimentary to humanity and its
progress.
I seldom asked him a question during the dictation--or interrupted in any
way, though he had asked me to stop him when I found him repeating or
contradicting himself, or misstating some fact known to me. At first I
lacked the courage to point out a mistake at the moment, and cautiously
mentioned the matter when he had finished. Then he would be likely to
say:
Public-domain text, read in full here on John Shaqi.
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