Let's see a class of problems we could group under the name "Irak syndrome". This is about the fact that image countries do not adopt and respect the democratic-type structure, as it is understood in the symbolic countries. This would not be big deal, if these countries were poor. If they have natural resources for sale, those countries might be tempted to act dangerously for other countries, as there is no public control on what is happening. These countries may become, at the limit, a danger for human civilization. This class of problems is far beyond the capacities and goals of classical masonry. However, as this syndrome will exist, for long time from now, masonry will have to act somehow to keep the connection with the external reality. ETA 29: Problems associated with movie making I have seen on TV a scene presenting a vehicle entering a street. The scene starts with a general view of the street. The vehicle enters the scene from left to right. During the sequence, two persons appear in the foreground who watch the movement of the vehicle. The problem is that the eyes of those persons follow (we suppose) the vehicle, moving from right to left. If the operator had not changed position, the eyes of the persons should have moved from left to right, as predicted by the general model, created during the previous scene. Let's see what happened. The vehicle was recorded entering the scene from left to right, then the operator crossed the street and took some images of two persons watching the vehicle, and moving their eyes from right to left. This can produce confusion in the construction of the model. In a more complicated situation, the presented data would have been confusing and would be understood in fragments, stimulating the schizophrenic tendencies. It is reminded that, when the information cannot be correlated, the brain will "switch" from the construction of a normal model to a story-type one. This is not an insignificant problem. If the scope of the presentation were transmission of information to help build a model associated to the recorded external reality, other rules to shoot a movie would exist, which should be different from the ones used nowadays. People do not seem to be disturbed by this class of problems. They might be disturbed only if they want to reconstruct the normal model based on spread data. In this case I consider it as a form of induced schizophrenia (XS1B), as clearly correlated events are presented as unconnected. Thus, in a movie, as local models appear in a succession, they are related inbetween each other, in the frame of a story-type model, instead of been used to create a single normal model, associated to a unique external reality.