British -- Ireland -- Fiction; British -- Italy -- Fiction; Ireland -- Fiction
“Let me hear it. Why not let me share in its oddity?”
“It might not amuse you as much as it amused me.”
“I am the only one who can decide that point.”
“Then I 'm not so certain it might not annoy you.”
“I can assure you on that head,” said he, gallantly.
“Well, then, you shall hear it. The caprice of a great divine has, so
to say, registered itself yonder, and will live, so long as stone and
mortar endure, as Bishop's Folly; and I was thinking how strange it
would be if another caprice just as unaccountable were to give a name to
a less pretentious edifice, and a certain charming cottage be known to
posterity as the Viscount's Folly. You're not angry with me, are you?”
“I'd be very angry indeed with you, with myself, and with the whole
world, if I thought such a casualty a possibility.”
“I assure you, when I said it I did n't believe it, my Lord,” said she,
looking at him with much graciousness; “and, indeed, I would never have
uttered the impertinence if you had not forced me. There, there goes the
first bell; we shall have short time to dress.” And, with a very meaning
smile and a familiar gesture of her hand, she tripped up the steps and
disappeared.
“I think I 'm all right in that quarter,” was his lordship's reflection
as he mounted the stairs to his room.
CHAPTER XII. AN EVENING BELOW AND ABOVE STAIRS.
It was not very willingly that Mr. Cutbill left the drawing-room, where
he had been performing a violoncello accompaniment to one of the young
ladies in the execution of something very Mendelssohnian and profoundly
puzzling to the uninitiated in harmonics. After the peerage he loved
counterpoint; and it was really hard to tear himself away from passages
of almost piercing shrillness, or those still more suggestive moanings
of a double bass, to talk stock and share-list with Colonel Bramleigh in
the library. Resisting all the assurances that “papa wouldn't mind it,
that any other time would do quite as well,” and such like, he went
up to his room for his books and papers, and then repaired to his
rendezvous.
“I 'm sorry to take you away from the drawing-room, Mr. Cutbill,” said
Bramleigh, as he entered; “but I am half expecting a summons to town,
and could not exactly be sure of an opportunity to talk over this matter
on which Lord Culduff is very urgent to have my opinion.”
“It is not easy, I confess, to tear oneself away from such society. Your
daughters are charming musicians, Colonel. Miss Bramleigh's style is as
brilliant as Meyer's; and Miss Eleanor has a delicacy of touch I have
never heard surpassed.”
“This is very flattering, coming from so consummate a judge as
yourself.”
“All the teaching in the world will not impart that sensitive
organization which sends some tones into the heart like the drip,
drip of water on a heated brow. Oh, dear! music is too much for me; it
totally subverts all my sentiments. I 'm not fit for business after it,
Colonel Bramleigh, that's the fact.”
Public-domain text, read in full here on John Shaqi.
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