Jasper took a brown hand that had the feel of iron. The man's face, on
a level with Jasper's, was very brown and lean. It had a worn look, a
trifle desperate, perhaps, in the lines of lip and the expression of
the smoke-colored eyes. Jasper, sensitive to undercurrents, became
aware that he stood in some fashion for a forlorn hope in the life of
this Pierre. At the same time the manager remembered a confidence of
Jane's. She had been "afraid of some one." She had been running away.
There was one that mustn't find her, and to run away from him, that
was the business of her life. Pierre Landis was this "one," the
something wild and clean that had at last come searching even into
this city. It was necessary that Jane's present protector should be
very careful. There must be no running away this time, and Pierre must
be warned off. Jasper had plans of his own for his star player. For
one thing she must draw Prosper Gael completely out of Betty's life.
Jasper made his guest comfortable, sat opposite to him, and lighted a
cigarette. Although Pierre had accepted one, he did not smoke. He was
far too disturbed.
"Frank Holliwell gave me a note to you, Mr. Morena. I got your address
some years ago from Yarnall, of Lazy-Y Ranch, Middle Fork, Wyoming.
I've been gettin' my affairs into shape ever since, so that I could
come East. I don't rightly know whether Yarnall would have wrote to
you concernin' me or no."
"Yes. He did write--just a line--two years ago."
Pierre studied his own long, brown hands, turning the soft hat between
them. When he lifted his eyes, they were intensely blue. It was as
though blue fire had consumed the smoke.
"I've been takin' after a girl. She was called Jane on Yarnall's ranch
an' she was cook there for the outfit. Nobody knowed her story nor her
name. She left the mornin' I came in an' I didn't set eyes on her. You
were takin' her East to teach her to play-act for you. I don't know
whether you done so or not, but I've come here to learn where she is
so that I can find out if she's the woman I'm lookin' for."
Morena smiled kindly. "You've come a long way, Mr. Landis, on an
uncertainty."
"Yes, sir." Pierre did not smile. He was holding himself steady. "But
I'm used to uncertainty. There ain't no uncertainty that can keep me
from seekin' after the person I want." He paused, the eyes still fixed
upon Morena, who, uncomfortable under them, veiled himself thinly in
cigarette smoke. "I want to see this Jane," Pierre ended gently.
"Nothing easier, Landis. I'll give you a ticket to 'The Leopardess.'
She is acting the title part. She is my leading lady and a very
extraordinary young actress. Of course, it's none of my business, but
in a way I am Miss West's guardian--"
"Miss West?"
"Yes. That is Jane's name--Jane West. You think it is an assumed one?"
Pierre stood up. "I'm not thinkin' on this trip," he said; "I'm
hopin'."
Public-domain text, read in full here on John Shaqi.
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