"I am going out now to climb up this mountain back of the house so's I
can see just where I am. I'll come down to-night for dinner and
to-morrow after breakfast I'll be going away. You understand?"
"Lady, you mean give me all this money?" babbled the Chinaman.
"Yes," said Joan gravely; "I have no need of it."
She went past him with her swinging step.
She was coming down the mountain-side that evening, very tired, but
with the curious, peaceful stillness of heart that comes with an
entire acceptance of fate, when she heard the sound of horses' hoofs
in the hollow of the canyon. Her heart began to beat to suffocation.
She ran to where, standing near a big fir tree, she could look
straight down on the trail leading up to Prosper's cabin. Presently
the horsemen came in sight--the one that rode first was tall and broad
and fair, she could see under his hat-brim his straight nose and
firmly modeled chin.
"The sin-buster!" said Joan; then, looking at the other, who rode
behind him, she caught at the tree with crooked hands and began to
sink slowly to her knees. He was tall and slight, he rode with
inimitable grace. As she stared, he took off his sombrero, rested his
hand on the saddle-horn, and looked haggardly, eagerly, up the trail
toward the house. His face was whiter, thinner, worn by protracted
mental pain, but it was the beautiful, living face of Pierre.
Joan shrank back into the shadows of the pines, crouched for a few
minutes like a mortally wounded beast, then ran up the mountain-side
as though the fire that had once touched her shoulder had eaten its
way at last into her heart.
----------------------------------------------------------------------
Book Two
THE ESTRAY
----------------------------------------------------------------------
BOOK TWO: The Estray
CHAPTER I
A WILD CAT
The Lazy-Y ranch-house, a one-storied building of logs, was built
about three sides of a paved court. In the middle of this court stood
a well with a high rustic top, and about this well on a certain
brilliant July night, a tall man was strolling with his hands behind
his back. It was a night of full moon, sailing high, which poured
whiteness into the court, making its cobbles embedded in the earth
look like milky bubbles and drawing clear-cut shadows of the well-top
and the gables and chimneys of the house. The man slowly circled the
court beginning close to the walls and narrowing till he made a loop
about the well, and then, reversing, worked in widening orbits as far
as the walls again. His wife, looking out at him through one of the
windows, thought that, in the moonlight, followed by his own squat,
active shadow, he looked like a huge spider weaving a web. This effect
was heightened by the fact that he never looked up. He was deep in
some plan to which it was impossible for her not to believe that the
curious pattern of his walk bore some relation.
Public-domain text, read in full here on John Shaqi.
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