The Branding Needle; or, The Monastery of Charolles: A Tale of the First Communal CharterSue, Eugène
History
The Branding Needle; or, The Monastery of Charolles: A Tale of the First Communal Charter
Sue, Eugène
Brunehaut, Queen, consort of Sigebert, King of Austrasia, 534-613; France -- History -- To 987 -- Fiction
What noise is that? It sounds like the distant and muffled tread and
cries of a large multitude. Aye, large indeed is the multitude that is
advancing towards the village of Ryonne, where the army of Clotaire II
is encamped. Whence does that multitude proceed? Oh, it comes from far.
It started as far away as the slopes of the Jura; it was swelled on the
road by large numbers of the people who inhabited the cities, hamlets
and villages that it crossed; slaves and colonists, young and old men,
women and children, poured from their homes, their fields, their huts;
at the risk of imprisonment, the lash and even mutilation at their
return, slaves and colonists joined the swelling multitude; at the risk
of the fatigue of the rapid march, that for some, lasted two days, for
others, one day, half a day, two hours, or one hour, according to where
they fell in line, city people left their pursuits and eagerly turned
into the surging human stream. But what was it that attracted so eagerly
the frantic, swelling crowd? It was these words, that flew from mouth to
mouth: "Queen Brunhild is passing--she is taken prisoner to be delivered
to Fredegonde's son!"
Aye, such was the hatred, the disgust, the horror, the dread inspired in
Gaul by those two names--Fredegonde and Brunhild--that large numbers of
people found it impossible to resist the curiosity of knowing and seeing
what was to be the issue of the capture of Brunhild by Fredegonde's son.
The multitude, accordingly, moved in the direction of the village of
Ryonne. Fifty horsemen in arms headed the march and cleared the way.
Behind them rode Constable Herpon armed cap-a-pie, and closely after
him, riding between two other warriors on horseback who held her palfrey
by the bridle appeared Brunhild. The old Queen's arms were pinioned
behind her back and she was bound upon her saddle. Her long,
gold-embroidered purple robe was dusty and mud-bespattered, and hung in
tatters from her body. The indomitable woman had offered a desperate
resistance when she was finally overtaken by the constable and his men.
One of her sleeves, together with half her corsage, was torn off, and
left bare her neck and shoulders and one of her arms, all of which were
covered with livid, bluish bruises, partly hidden under her long, grey,
tangled and tumbled hair to which fragments of dung and ordure, that the
people had flung at her while whelming her with insults, were still seen
to cling. From time to time, the fettered lioness gave her head a
convulsive shake in the effort to disengage her face from the disheveled
locks before it--at such times, glimpses were obtained of her hideous,
horrible visage. Before being finally caught, the woman had defended
herself like a wild animal at bay. The desire of her captors was to take
her alive to the son of her mortal enemy. In the brutal hand to hand
struggle of Constable Herpon and his armed men with Brunhild she was
smitten with their fists in the face and kicked in the body. Her arms,
Public-domain text, read in full here on John Shaqi.
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