The Brass Bell; or, The Chariot of DeathSue, Eugène
History
The Brass Bell; or, The Chariot of Death
Sue, Eugène
Gaul -- History -- 58 B.C.-511 A.D. -- Fiction
But for my uncertainty concerning the fate of my children, immediately
upon the "horse-dealer's" departure I would have killed myself by
butting my head against the wall of my prison, or by refusing all
nourishment. Many Gauls had thus escaped the doom of slavery. But I felt
that I should not die before doing what I could to snatch them from the
destiny which menaced them.
I examined my room to see whether, my strength once restored, there was
any chance for escape. Three sides of the room were solid wall, the
other was a thick partition re-enforced with beams, between two of which
opened the door which was always carefully bolted without. A bar of iron
crossed the window, leaving an opening too narrow to give me passage. I
examined my chain, and the rings, one of which was riveted to my leg,
the other to one of the cross-bars of the bed. It was impossible for me
to unchain myself, even at my greatest strength. I then thought of a
plan, a trick, to put myself in the good graces of the "horse-dealer,"
so as to obtain from him information of my little Sylvest and Syomara.
With that end in view, it would not do to repine, to appear sad or
afraid of the lot reserved for the children. I feared I might not be
able to carry out the role, for I came of a race unaccustomed to deceit
and lying. The Gauls either triumphed or died.
On the evening of that same day when, regaining consciousness, I had
become aware of my slavery, I witnessed a spectacle of terrible
grandeur. It raised my courage. I could no longer despair for the safety
and liberty of Gaul. The night was about to fall, when I heard the
tramping of several troops of cavalry arriving at a walk in the great
public square of Vannes, which I could see from the narrow window of my
prison. I looked out, and beheld the following scene.
Two cohorts of Roman infantry, and one of cavalry, both in battle array,
surrounded a vacant space, in the middle of which rose a large scaffold
of timber. On the platform was a heavy block, such as is used for
chopping meat on. Beside the block stood a Moor of gigantic stature and
bronzed of color. His arms and legs were bare, his hair was bound with a
scarlet band; he wore a coat and a pair of short trousers of tanned
skin, splashed here and there with dark red; in his hand was an axe.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account