The Brass Bell; or, The Chariot of DeathSue, Eugène
History
The Brass Bell; or, The Chariot of Death
Sue, Eugène
Gaul -- History -- 58 B.C.-511 A.D. -- Fiction
In the distance sounded the long clarions of the Romans, playing a
funeral march. The sound drew nearer. One of the cohorts that were drawn
up on the square opened its ranks, forming a double row. Through this
lane the clarioneers entered. They preceded a troop of steel-clad
legionaries. After the troop came the prisoners taken in the Gallic
army, tied two and two. Then came the women and children, also in
bonds. More than two stone's throws separated me from these captives. At
such a distance I could not distinguish their features, try as I might.
Nevertheless, my little son and daughter might be among them. The
prisoners, of all ages and sexes, closed in by the two rows of soldiers,
were stationed at the foot of the platform. Still more troops marched
into the square; after them, five and twenty captives were led in, in
single file, but not chained. I recognized them by their free and
haughty pace. They were the chiefs and elders of the town and tribe of
Vannes, all white-haired fathers.[22] Among them, marching last, I
distinguished two druids and a bard of the college of the forest of
Karnak, marked, the first by their long white robes, the second by his
tunic striped with purple. Then appeared more Roman infantry; finally,
between two escorts of white-robed Numidian cavalry, Caesar, on
horse-back, in the midst of his officers. I recognized the scourge of
Gaul by his armor, which was the same he wore when, aided by my brother
Mikael the armorer, I was carrying him off in full panoply on my horse.
Oh, how at the sight of the man I cursed anew my stupid astonishment,
that so unfortunately proved the safety of my country's butcher.
Caesar drew rein a short distance from the platform, and made a sign
with his hand. Immediately the twenty-five prisoners, the bard and
druids passing last, mounted with calm tread the steps of the scaffold.
One by one they placed their white heads on the block, and each one of
the venerable heads, stricken off by the axe of the Moor, rolled at the
feet of the bound captives.
The bard and the two druids were the only ones left. The three rushed
together in a final embrace, they raised their faces and their hands
towards heaven, and intoned in a loud voice the song of Hena, the virgin
of the isle of Sen, uttered at the hour of her voluntary sacrifice on
the rocks of Karnak, that song which had been the signal for the rising
of Brittany against the Romans:
"Hesus, Hesus! By the blood which is about to flow, clemency for Gaul!"
"Gauls, by the blood which is about to flow, victory to our arms!"
And the bard added:
"The Chief of the Hundred Valleys is safe. There is hope for our arms!"
Public-domain text, read in full here on John Shaqi.
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