The Brass Check: A Study of American JournalismSinclair, Upton
General
The Brass Check: A Study of American Journalism
Sinclair, Upton
Associated Press; Journalism -- United States; Press -- United States
I spent two days and part of a third in the Tombs. Every day the
reporters came to see me, and I gave interviews and wrote special
articles—all the news about Colorado I could get hold of. And every day
there was a crowd of ten thousand people in front of Twenty-six
Broadway, and young Rockefeller fled to his home in the country, and
“Standard Oil,” for the first time in its history, issued public
statements in defense of its crimes.
My wife had taken up the demonstration after my arrest, and I was amused
to observe that the police did not arrest her, nor did the newspapers
ridicule her. Was it because she was a woman? No, for I have seen the
police beat and club women doing picket-duty—working-women, you
understand. I have seen the newspapers lie about working-women on
picket-duty; in the course of this Colorado campaign I saw them print
the vilest and most cowardly slanders about the wives of some strikers
who went to Washington to make appeal to President Wilson. No, it was
not because my wife was a woman; it was because she was a “lady.” It was
because in the files of the New York newspapers there reposed a clipping
recording the fact that her father was “one of the wealthiest men in
this section and controls large banking interests.”
Please pardon these personalities, for they are essential to the thesis
of this book—that American Journalism is a class institution, serving
the rich and spurning the poor. It happens that M. C. S. is
conspicuously and inescapably what is called a “lady”; she not merely
looks the part, she acts it and speaks it in those subtle details that
count most. All her young ladyhood she spent as what is known in the
South as a “belle”; incidentally, of course, as an ungodly little snob.
She has got over that; but in case of an emergency like our Broadway
affair, she naturally used every weapon she had. Against the New York
reporters and the New York police department she used the weapon of
snobbery—and it worked.
In the South, you see, a “lady” takes for granted the slave-psychology
in those she regards as her “social inferiors.” Not merely does she
expect immediate obedience from all members of the colored race; she
feels the same way about policemen in uniform—it would never occur to
her to think of a policeman as anything but a servant, prepared to
behave as such. I assured her that she might not find this the case with
the husky sons of St. Patrick who lord it over the New York crowds. But
M. C. S. answered that she would see.
Far be it from me to know to what extent she did these things
deliberately; my advice in such matters is not sought, and I am allowed
to see the results only. What I saw in this case—or rather learned about
later—was that M. C. S. arrived in front of 26 Broadway an hour late,
clad in supple and exquisite white broadcloth, military cape and all;
and that on sight of this costume the New York City police department
collapsed.
Public-domain text, read in full here on John Shaqi.
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