The Brass Check: A Study of American JournalismSinclair, Upton
General
The Brass Check: A Study of American Journalism
Sinclair, Upton
Associated Press; Journalism -- United States; Press -- United States
“Mr. Sinclair, I represent the ‘Denver Post.’ We have a rumor concerning
you about which I wish to ask you.”
“What is it?”
“We understand that you are about to move from your hotel.”
“I have no such intention. Who told you that?”
“Well, I hope you will not take offense; I will tell you the report,
just as it was given to me.”
“Very well, go ahead.”
I am sorry I cannot remember the exact words of the rigmarole; it was
five years ago, and I have had more important things to remember.
Suffice it to say that it was a new scandal—not the Jewish
probation-officer; I had uttered a mysterious and portentous sentence,
expressive of my guilty fear; if my wife were to learn why I had left
the hotel, “it would be all over.” I looked the young lady from the
“Denver Post” in the eye and answered: “Standing in the Pennsylvania
station, bidding my wife farewell, I said to her: ‘Let me give you one
warning; whatever you may read about me, don’t worry. If there is any
scandal, pay no attention to it, for that is the way they fight in
Denver.’” And so the young lady from the “Denver Post” went away, and
did not publish that awful “rumor.”
There are people who live upright and straightforward lives, and
concerning whom no breath of scandal is ever whispered; such people are
apt to think that all anyone has to do to avoid scandal is to lead
upright and straightforward lives as they do. They see some man who
keeps dubious company, and is given to “smart” conversation; concerning
such a man an evil report is readily believed; and they conclude that if
any man is a victim of scandal, he must be such a man as that. But how
if a scandal were deliberately started, concerning a person who had done
nothing whatever to deserve it? My wife tells of a woman in her home
town who would destroy the reputation of a young girl by the lifting of
an eyebrow, the gesture of a fan in a ballroom. She would do this,
sometimes from pure malice, sometimes from jealousy for her daughter.
You can understand that among sophisticated people such practices might
become a subtle art; and how if it were to occur to great “interests,”
threatened in their power, to hire such arts? Let me assure you that
this thing is done all over the United States; it is done all over the
world, where there is privilege defending itself against social protest.
Public-domain text, read in full here on John Shaqi.
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