Of course, I never said any such thing, but papers in all parts of the country could not know that the report was stupid fiction, and that the quotation marks were absolutely false. Yet in this form the above vulgar paragraphs have gone the length and breath of the country as my utterances. To understand such incidents you must know the economics of reporting. The person who misquoted Professor Laughlin was probably a student, scratching for his next week’s board-bill, and knowing that he would get two or three dollars for a startling story, and nothing at all for a true story—it would be judged “dull,” and would be “ditched.” In my own case, the person to blame was a “star writer”; she was working on a fancy salary, earned by her ability to cook up sensations, to keep her name and her picture on the front page. If this “star” had gone back to her city editor and said, “Upton Sinclair is a good fellow; he gave me an interesting talk about the corruption of modern marriages,” the editor would have scented some preachment and said, “Well, give him two sticks.” But instead she came into the office exclaiming, “Gee, I’ve got a hot one! That fool muck-raker tore up his marriage certificate before my eyes! He says that married women are sold like horses and he’s sorry he’s married to his wife!” So the city editor exclaimed, “Holy Smoke!”—seeing a story he could telegraph to the main offices in New York and Chicago, thus attracting to himself the attention of the heads of the Hearst machine. For you must understand that while the city editor of the “San Francisco Examiner” will be getting three or four thousand dollars a year, above him are big positions of responsibility and power—Arthur Brisbane, getting ninety or a hundred thousand, Ihmsen, Carvalho, von Hamm and the rest, getting fifteen or twenty thousand. If you are to be lifted into those higher regions, you must show one thing and one thing only; it is called “a nose for news,” and it means a nose for the millions of pennies which come pouring into the Hearst coffers every day. From top to bottom every human being in the vast Hearst machine, man, woman and office-boy, has every nerve and sinew stretched to the task of bringing in that flood of pennies; each is fighting for a tiny bit of prestige, a tiny addition to his personal share of the flood. And always, of course, from top to bottom the thing to be considered is the million-headed public—what will tickle its fancies, what particular words printed in large red and black letters will cause it to pay out each day the greatest possible number of pennies.