Gwendolen had another shock to receive. In this new light, flashed past
before one realized its presence, Hagané showed to her the eyes of a
demon, a creature of power and of passion. She recoiled from him as from
the supernatural. The new discomfort was vented on the box. "Let us have
the picture, Prince, or I'll go wild. Please, somebody sit on that
box,--the squirming devils give me a waking nightmare. Why did anybody
want to carve such things?"
Hagané smiled a very quiet smile, just on the borderland between his
demon and his statesman's self. Yuki, too, watched him, with an
intensity of which she was not aware. Slowly he lifted the lid of the
box, and took out a long cylindrical roll wrapped in some faded stuff
that exhaled a strange, stifling perfume, as of old shrines. Then he
rose, with his usual dignified, deliberate motions. The servant, who had
been waiting, handed him a small wand tipped with a claw of ivory, such
as is used everywhere in Japan for hanging kakémono. Passing the cord
over a brass stud on the wall, he leaned over and downward, unrolling
the painting by slow inches.
At first nothing appeared but a groundwork of dark silk, a surface
crackled and blackened as by heat and time. A pointed, thin flame first
arose, then a fiery crown of filigree work that hid suggestions of
strange animal forms, then a staring countenance of an archaic, Hindoo
type, provocative, menacing, appalling! Shoulders rose, swathed thick in
springing flame; a body hung with jewels of red gold; arms bended at the
elbow, crossed legs just visible through drapery, and lastly the
incandescent throne of a vermilion lotos. The thing glowed wet and
fresh, like new-spilled blood. Before its artistic wonder was the wonder
of vitality, for the image lived,--not in a world of heavy human flesh,
nor yet in realms ethereal, but in some raging holocaust where the two
worlds chafe and meet. One flaming hand grasped a bunch of golden
arrows; from the other depended coils of gold and orange rope. Each
petal of the lotos throne stood sharp and clear in an outline of hot
gold, and the long, parallel veinings were of copper. In a room suddenly
darkened it should spring out in illumination of its own. A scorching
breath blew from it. The leer on the god's face deepened.
"Ugh!" shuddered Mrs. Todd. She tried to check the exclamation, and
apparently none but Dodge, who sat beside her, heard the cry.
"Be careful," whispered Dodge. "He does not tell you half. Men have
fought and died for that painting. It is one of the famous things of
Japan, and almost impossible to see. He surely has a reason in this
display."
Yuki and Gwendolen were equally still and voiceless.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account