Now the bamboo hedges which shut out the main street-line bent over, at
times almost to the earth, writhing, stretching, and squeaking at the
confining strips of wood that sought to hold them erect. Besides the
hedge-bamboo, "sa-sa," the fence had an inner line of cruel
orange-thorn.
Yuki had watched the elemental conflict greedily. Suddenly a snatch of
Carmen's love-song rode the wind. It was the sound she had expected. Her
little hands sought each other within the silken sleeves, and clutched
so fiercely that a nail snapped. Again came the song, nearer this time,
just without the gate. It was a strange, incongruous note, as if an
English lark should rise from the bruised and battered hedge. Yuki heard
a movement in the next room, where Tetsujo sat among his books. Perhaps
it was coincidence that Suzumé brought her, exactly at this moment, a
fresh tray of tea. The blue gardeners strolled together into full view,
and stooped, as if to discuss the condition of a botan bush, now beaten
down.
Square upon the back of one of them fell a queer winged missive, a scrap
of foreign paper weighted with a pebble. Yuki saw it clearly. Old
Suzumé, with a stifled gasp, crouched in her place. The girl poured tea
for herself, and drank it calmly. The pelted gardener, without so much
as a look around, lifted the scrap of paper as if it had been a broken
bud, and slipped it, weight and all, into his sleeve.
The Carmen song stopped. Suzumé, with a last sly glance, slipped from
the room. Yuki pressed one hand to her throat. It would be no harm to
sing the answering strain. What though her father and her jailers heard?
If once the song sped forth, not even their craft could recall it.
Pierre would understand, then, that she heard, but was a prisoner; that
even the written note he threw could not be received. Once, twice, the
white lips parted, and the slender throat stiffened for an answering
phrase; but no sound came. It was as in nightmare dreams, where one
seeks to cry aloud, and finds that the voice is gone.
Now her father was on his feet. She heard his long, swinging stride go
through the house. At the door she heard him kick his wooden clogs, and
give a gruff order to O Maru San. Then the harsh scraping feet passed
along the garden stones, the little bell clamored, and the gate-panel
closed with a bang.
Public-domain text, read in full here on John Shaqi.
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