Pierre felt himself released. He stood motionless. His wrist stung as if
a sea nettle had lashed it. He looked helplessly around as though
searching for something he could not recall. His eyes fell on Yuki's
letter. He staggered toward it, snatched it from the floor, pressed it
against parched lips, and then, falling on his knees beside the chair,
burst into a passion of grief.
"Come," whispered Ronsard to the cat. "Come, chérie. We will leave poor
Pierre awhile. It is more delicate, n'est-ce pas?"
CHAPTER NINETEEN
It was inevitable that a lady of Mrs. Todd's social and confidential
temperament should already have acquired an inseparable friend. Mrs.
Todd had a perpetual thirst for what she called "sympathetic
comprehension," by which she meant, in reality, abject flattery. Her
husband sometimes treated her deepest emotions with levity. Gwendolen
often turned to her complaints a bright indifference more irritating
than the husband's soothing smile.
The present incumbent was a Mrs. Stunt, resident in Tsukiji, Tokio, wife
of an American merchant who had lived in Japan for nearly twenty years.
Naturally, Mrs. Stunt knew everything. She was a little woman, with
white hair brushed high from a smooth, pink forehead. Her face was round
and youthful. Although not an Englishwoman she exuded odors of pink
soap. Her eyes were blue, bright, and hard as glass. Her reputation was
that of a model wife and mother, a pattern housekeeper, and an exemplary
member of the church. People hastened to speak well of her; they raised
loud voices in her praise, yet every one knew that Mrs. Stunt, when
mounted upon the perfectly kept bicycle she affected, was a wheeled and
leaking reservoir of scandal.
To the new-comer, or the casual observer, she appeared the very
incarnation of trustful candor, speaking of her domestic affairs and
those of her neighbors with a simplicity and directness that startled
while they convinced. Mrs. Stunt, however, had her secrets. One of
these, unshared even by the conjugal ear of timid Mr. Stunt, was her
connection,--virtually that of foreign editor,--with a Tokio newspaper,
called, of course in Japanese terms, "The Hawk's Eye." In addition to
voluminous printed sheets of hurrying ideographs this journal dispensed
each day a page of excellent English, and for weekly supplement issued a
pamphlet entirely in the borrowed tongue. Mrs. Stunt was never seen to
enter the shabby gates of the "Hawk's Eye" building. She turned her face
away even in passing the place. She often denounced newspaper women,
and, more than once in the company of a friend who tingled or wept under
the lash of a personal item, joined in indignation against the cowardly
villain, and wondered aloud, "Who on earth that man could be!"
Public-domain text, read in full here on John Shaqi.
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