Half dreamily she passed into a second pose. The transition was music.
Now her long eyes closed into a mere gleaming thread, her lips parted,
and trembled. Almost without motion of her mouth she talked on, in
broken Japanese phrases, uttering them in rhythms, which subtly related
to the gestures of her body. "No, those girls could never dance,--never
dance,--with their honorably stiff shoulders and their limbs like trunks
of young trees. They attempted it with fervor, but they could not
augustly dance. But I will dance again, and my souls will listen. I will
dance the dance of the Sun Goddess and of morning, because my friend is
coming!" She hummed, now, the tune and the words of a famous classic.
Iriya, completely under the spell, sank to the floor in the attitude of
a singer, caught up the rhythm, and sang with her:
"Night is where thou art not,
Oh, my beloved!
Night lies in the stone rolled close against thy door.
Let the sighs of spring,
(My sighing, oh, divine one,)
Let the salt waves' weeping (my salt tears) allure thee!"
The beautiful gestures flowed one into the next, like currents of living
water.
"Lo, she awakens; light with shining fingers frets the dark
rock fissure.
She approaches; see the black rock melt."
"Hark! listen!" cried the dancer, and paused with arms outspread. It was
as if winds stood still, as if a flower-branch, tossed in air, lost
suddenly its power to return. Iriya caught her breath. She too rose.
Jinrikisha wheels were on the gravel. "My hour is gone," said Iriya; "I
know it from the shadows. I will now return home, taking the servants
with me. You remain here, my child, and greet the friend who now
enters."
"Yes, I will remain here, mother, my dear, dear mother, I will greet my
friend," whispered the girl. The glamour of the dance had swept back and
held her. Half in the world of poetry, half in the material present, she
wavered. The dawn of her friend's coming shone through both. Iriya, with
a last, tender look, slipped from the room. Yuki's lip quivered like a
child's as she saw her mother go. But now, down the long hall, came the
tap-tap of high-heeled foreign shoes. A new tremor stirred Yuki's lips,
a little hint of fear hid in her eyes.
Public-domain text, read in full here on John Shaqi.
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