They had passed into the office together. Yuki, standing alone in the
centre of the big room, wan with the new rejection, watched them with a
curious external interest, and dwelt in her mind upon the difference of
character exhibited in the two vanishing backs. The hollow brass rings
of the portiéres hissed and clashed together. A steady arm drew the
wooden panels of the door. She heard a key turn. She was alone on guard.
With a gesture so common to Japanese women she put both hands up lightly
to her hair, patting abstractedly the shining loops. A dizziness crept
under her eyelids. The ugly walls of the room began slowly to turn on
axes of silence. She felt her head droop with the strange drowsiness she
had known an hour before; a low moan came from whitening lips.
Staggering to a window she threw up a sash, flung the blinds apart, and,
clasping her clenched hands upon the sill, knelt, and let her head rest
upon them.
The inrush of the sweet spring winds, and this interval of quiet,
following so closely upon a series of bewildering events, brought soon a
balm of healing. Yuki had a nature essentially calm and self-contained.
Emotion stirred and sometimes swept her from her feet, but it was an
emotion that had no surface-play. Each quiver of her face answered but
weakly some fundamental throb of being. She had not the usual girlish
terror to bestow on scampering mice and dark corridors. Excitement
generally steadied her. The one unruly, unclassifiable influence in her
life had been Pierre,--his strange love-making, his exotic fascination.
Public-domain text, read in full here on John Shaqi.
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