"_D[=o]_-mo! you simpleton!" retorted the first. She was the one to whom
Gwendolen had spoken directly, and though covered with confusion at the
moment, now vaunted herself upon the incident, and prepared herself to
take precedence in all comments concerning the strange doings of
"I-i-jin." "_D[=o]_-mo! it is easy to observe. The men have upper bodies
square, like a box, and this box is tightly covered with woollen cloth.
From the lower corners of the square come two stiff legs, like posts.
Now the women show no legs at all, but the middle of the body is
shrunken very small, like a saké gourd about which a string has been
tied when it is green. Poor things, it must surely hurt them to be so
bound. It is a practice more strange than that of encasing feet, used by
Chinese women."
"They all look alike to me, I say," repeated the first, unimpressed by
this erudition. Perhaps the boastful breath of the speaker awoke a small
coal of obstinacy. "The children are small in size, so I know them to be
children; but all faces are alike, as the faces of cows, pigs, and
horses are alike, and all are hideous!"
"That one, now, was not so frightful of aspect," ventured a kindly
third, and pointed her sickle to the spot where Gwendolen, having
climbed a low hillock, just disappeared beyond.
"That one would have been almost good to look at, but for its nose!"
"The noses of all are like these sickles," said the dogmatic first.
"Buddha teaches us to be content with what cannot be changed. Perhaps to
the foreigners themselves the sharp noses are even beautiful!" said the
gentler critic.
A chorus of hisses and low laughs greeted this unheard-of generosity.
The little speaker flushed under the shower of raillery, but did not
abandon her humane position. Something in the American girl's face had
flashed excitement, a new interest, a feeling almost like recognition,
into her narrow vista. She hoped she would be called to work often in
this huge garden, where the bright-haired o jo san might wander.
Public-domain text, read in full here on John Shaqi.
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