The Onda residence faced directly to the north, thus giving the big guest-chamber and the outlying garden a southern exposure. Two sides of the room, the south and the west, had removable shoji. The inner walls were partly of plaster, partly of sliding, opaque panels of gold, called fusuma. These were painted in war-like designs by Kano artists. To-day the western shoji were all closed; but the sun, just reaching them, shed a mellow tone of light throughout the room. All southern shoji were out, admitting, as it were, the fine old garden as part of the decoration of the room. The day had deepened into one of those quite common to the Tokio winter, where the sunshine battles with a white glamour, scarcely to be called mist, and yet with the softening tone of it. No young spring growth was waking in the garden. All was sombre-green, ochre, or cold gray,--pines and evergreen azaleas, heaped rocks, stone lanterns, bridge, and the pear-shaped water of a pond. In line and structure the garden was still a thing of beauty, planned in an artist's mind. It had the look of a stained-glass window done in faded hues, of old tapestry, of wrought metal. At the corner of the guest-room veranda stood a huge old plum-tree just coming into white bloom. Smiling Yuki, in tailor-made American gown and black stockings, brought in the tray and knelt before her father. The old warrior flushed with pleasure. "Why, this is better than I could have thought!" "I told you I was just your little girl," said Yuki. "And oh, father, I do feel so queerly young and real again! I see everything around me just as I wish. It is like making things come true in dreams." Tetsujo caught her by a slender shoulder, looking deep, deep into answering eyes. For once, no troubled thoughts rose to blur the vision. Suddenly he smiled. "Then make _my_ dream come true, my Yuki; remove the shapeless foreign garment." Yuki sprang to her feet, laughing with delight. "Yes, yes, that is the next real thing to do, of course. I will borrow a kimono from mother, as my trunks have not arrived. But don't let them bring in dinner till I get back. I am so hungry for a real dinner!" "The soup shall not even be poured," promised Tetsujo. She gave a little bow like the dart of a humming-bird, and would have sped past him, but he, catching at a fold of her skirt, detained her. She stopped, and seeing the expression of his face, her own sobered. "Welcome, my daughter," said Tetsujo, in a tone that trembled; "welcome, child of my ancestors,--the last of an honorable race!" CHAPTER NINE Next to the zashiki, or guest-room, around by the corner of the big plum-tree on which, now, great snowy pearls of buds opened with every hour, was the master's benkyo-beya, or study, where sets of Chinese and Japanese classics, often running into a hundred volumes, had snug place in fragrant cabinets of unvarnished cypress wood.