American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
Felix was feeling a curious emotion which was at once an immense relief
and a dim perturbation. He felt now that he had never wanted to live in
an ordinary apartment. He could sympathize now with all the indignant
things Rose-Ann had been saying about such places. It would have meant a
kind of surrender—a giving up to outward form of the special quality of
their lives.... But he had been willing to surrender. It was strange now
to realize, but it was true—he had felt that very surrender to be a part
of marriage, of adjusting himself to the world of actuality. Yes, he had
thought that he and Rose-Ann had to live cooped up together in a little
domestic cage like other married people.
And instead they were to remain free!
For that was what living in a studio meant. They would not subordinate
their individual lives to a domestic arrangement. On the contrary, all
their domestic arrangements were pushed into the background. This was
first of all a place for them to do their work in.
They planned for their work-tables first of all—two enormous tables that
one could fill with papers and books to one’s heart’s content, and that
never were to be disturbed, no matter how messy they looked: these, one
on either side of the room, up by the front windows. And then, books—all
the books they would ever want, ranged on two long shelves along the
side-walls. And then two large beds, at the back of the studio, behind
the screen—two, so that they could work as late at night as they wished
and go to bed without disturbing each other. And a settle in front of
the fire, and chairs—ordinary kitchen chairs that they would paint in
bright colours—for rest and talk and friends. And a gate-legged table
that could be pushed out of the way after dinner, if they dined at home.
And a tiny gas-range, and a cupboard for dishes. Coloured dishes they
would be—no two alike. “I hate sets of dishes as much as I hate sets of
books,” said Rose-Ann.... And a tiny gas-range.
That gas-range was to be their least and last possession, not they its
slaves!
No, they would be two artists who lived together because they loved each
other, who ate when they were hungry, slept when a chapter was finished,
and cooked when they thought it would be fun to eat at home!
“For instance,” said Rose-Ann, “it would be fun to get dinner here
tonight, but we can’t. But I’ll tell you—let’s early in the morning go
and buy beds and dishes and things, so we can move right in.”
“Why not have dinner here tonight?” said Felix. “We can get it at a
delicatessen and eat it with our fingers!”
“The electricity has been turned off—we can’t eat in the dark,” she said
wistfully.
“We’ll buy some candles!”
“Of course!” said Rose-Ann.
Public-domain text, read in full here on John Shaqi.
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