American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
“Do you remember, Clive, you promised to tell us a story?”
“A story? Yes, so I did. Well, I will tell you a story about St. George
and the Village Dragon.”
He lighted a cigarette. “This particular village is situated, as the
story-books say, not a thousand miles from Chicago. It has a Dragon
there, which—. But let me drop the epic style. The fact is, that in this
village there are three classes of people, each of which strictly avoids
the others—though they maintain casually friendly relations, and say
‘Good Morning’ when they meet in the post-office. The three classes are,
first, the villagers proper, the original inhabitants of the place;
second, the summer people; and third, a few artists and writers.
“The village people live in the village, and keep themselves to
themselves; the summer people live in boarding houses and in nice new
bungalows on the edge of town, and associate with each other; and the
artists and writers live out in the more inaccessible regions, perched
on the edges of ravines, and turn up their noses at everybody else.
“The fact is that they are afraid of some sort of social infection or
contamination from each other’s manners and morals. They all secretly
despise each other; the writers and artists despise the summer
bourgeoisie, and the villagers sell them groceries and taxi them home
from the station and despise them both.
“And yet once in a while some young person of one group happens not to
despise some young person from one of the other groups. Then everybody
else becomes very much alarmed.... Two years ago, it was a young man in
the summer colony and a village girl. Everybody—in the summer colony and
the village—was afraid something terrible would happen. The villagers
have a story about a girl who was betrayed and deserted by a gilded
youth who owned an automobile—and she drowned herself in the Lake. And
the summer colony has an even more heart-rending legend about a foolish
boy who married a pretty village girl and took her to the city, and she
couldn’t speak grammatically, and so on: a dreadful story! Well, the
young man in the summer colony and the village girl, two years ago,
hadn’t heard these stories, it seems; at any rate, they went to dances
together—and the whole community waited, fluttering with horror—until
the young man and the girl, finding themselves the objects of universal
anxiety, became frightened of each other, and stopped seeing one another
at all. They realized in time that they were violating a social
taboo.... That’s the introduction to my story.
Public-domain text, read in full here on John Shaqi.
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