But he did not want to write “in his own way.” The things he had written to suit himself that spring, the fantastic dramatic fragments which he had torn up in disgust, were too utterly freakish, too whimsical and absurd. He wanted to prove that he could write something else—something that was not so damnably “different.” He wanted to write a regular three-act play, of the sort that audiences liked, and he was going to learn to do it if it took five years.... It had taken Hawkins five years to get to a point where he could impress a manager—Hawkins, lending him a book on play—construction, had confessed as much.... And Hawkins was now on the verge of a brilliant success. He had gone to New York to collaborate with the manager on a few final changes. It was slow going, this way; but Felix was not discouraged. It seemed good to struggle at an uncongenial task. Eventually he would conquer its difficulties. He might continue to “get by” with freakish criticism; but he was going to be a writer of plays that ordinary people could recognize as plays. It was not his business to please himself; Bernard Shaw might do that—but he, Felix, was not Bernard Shaw; it was his business to adapt himself to the realities of current play-writing.... He told all this to Rose-Ann, who listened in hostile silence. Rose-Ann had changed, become less poignantly restless. She seemed to have discovered a new way of occupying herself—or rediscovered an old way, long since abandoned. “When I was a little girl,” she said, “I used to read books all the time. I found them so much more satisfying than actual life. And then I stopped reading, and tried to live. I’ve hardly read anything since I came to Chicago.... So there’s lots of things I want to read.” She read, day after day, from the time Felix rose from their breakfast of grapefruit and coffee and cigarettes, till afternoon, lying curled up among the pillows of the window seat; she went out for luncheon somewhere alone, and sat in the Park all afternoon or wandered through the Museum whose crumbling stucco porticos of nobly antique pattern looked themselves like relics of some departed race; taking with her a book, which she seldom opened, but which served for companionship—and a notebook, in which she wrote sentences and paragraphs which Felix found she would rather he did not read. “They seem just to belong to me,” she said, shyly.