American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
The impossible had happened—yes, the impossible. For it was unthinkable
that Rose-Ann should have destroyed their marriage. But she had.... And
now in this strange world there was only one certainty left—Phyllis’s
eyes, her arms, her understanding love. Here was reality, here firm
ground amidst a reeling chaos of fantastic madness.... Phyllis!
He could hear, as in a dream, the bubbling of coffee, could taste the
fragrance of its odour stealing through the door.... Presently, very
soon, she would come....
He heard her knock, and he thought he answered, but it seemed not, for
she knocked again, and then opened the door. He sat there limply in his
chair, glad she had come.
“Did I disturb you?” she asked.
He shook his head.
“You’re tired!” she said, and came quickly to him and put her hand on
his forehead. “I’ve made some coffee,” she said. “It will be good for
you.”
“Yes,” he said, and rose.
She led the way into her room, and pointed to the couch. “Lie down and
rest,” she said. “I’ll give you your coffee in a moment.”
She busied herself with cups and saucers, and he watched her from the
couch. She came toward him, a cup of coffee in her hand, her arm bare to
the elbow, and above it her eyes shining under a tangle of soft brown
hair.
“Here!” she said.
When he made no effort to take the cup, she set it down on the stool
beside the bed. He took her hand, and drew her toward him. She yielded
to his gesture and sat down beside him on the couch, looking at him with
a kind of startled amusement as he took her arm and pressed his cheek
against it.
“You’re very tired, aren’t you?” she said sympathetically, and touched
his shoulder with her other hand.
He clung to her arm. It was cool against his cheek. All the beauty, all
the peace, all the rest in the world seemed to be in that cool white
flesh. Was it because it was hers—or because it was a girl’s arm,
promising rest and comfort? He did not know. He only clung to it.
“Is it your work—are you having difficulties?” she asked.
He laughed. His work!
That laugh seemed to reassure her in some way. She smiled down at him,
bent over him, her hair blinded him, and then her lips brushed his.
“Dear!” she said.
He held her close to him, and their lips met—hungrily, thirstily. At
first all her body relaxed into the embrace, and it seemed to him that
the peace he needed flowed into him from her kiss, from her arms, her
body—rest, the infinite sweetness of rest.... And then she seemed to
grow frightened. She held herself away from him, she looked at him
questioningly.
But, again reassured, she bent again, and surrendered herself to the
embrace. But something in the exigence of his mood came to her even in
this surrender, and once more, suddenly and coolly, she drew herself
away.
“What _is_ the matter?” she demanded, looking at him with alien eyes.
She bent, not tenderly, and took his shoulder, as if to shake his secret
out of him.
“The matter is,” said Felix, “that my marriage has gone to hell.”
Public-domain text, read in full here on John Shaqi.
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