American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
They parted at the station, and Felix went to the office. It was strange
to take his place at his desk again. It seemed as though he had been
away a thousand years; he had the feeling of a truant who has returned
to school and wonders if he will ever catch up with his lessons.... Mr.
Devoe had said to come in and see him when he got back. But Harris sent
him out on an interview the first thing, and when he had finished
writing it, Mr. Devoe was out in the composing room overseeing some
change in the editorial page. Felix did not like to bother him.
Doubtless he had spoken lightly, and had already forgotten what he had
said to Felix.
As Felix sat idly before his typewriter, Hawkins came up. “Glad to see
you back,” he said, and shook hands. And then: “Come in my office, will
you?”
One of the last things Felix had done before falling ill was to “do” a
play for Hawkins, on a night when there were two openings. His way of
doing plays was so unlike Hawkins’s serious method of assigning praise
and blame that he had been afraid Hawkins would never ask him to do
another; but he had been encouraged by Willie’s laughter at his piece of
foolery, and Clive’s only half-ironical remark: “When Willie Smith
enjoys a piece of writing, you can figure on ten thousand other people
liking it, too!” The idea of those ten thousand other people liking his
whimsical criticism had offset the supposedly unfavorable judgment of
the serious Hawkins.
“Sit down,” Said Hawkins. “I suppose”—with an embarrassed air—“you’ve
heard I’m writing a play.” Then, more cheerfully, “Well, I want to get
as much time away from the office as possible, so I’ve persuaded Devoe
to let me have an assistant. Would you like the job?”
Felix flushed with incredulous pleasure. “All right,” Hawkins went on.
“There’s a certain amount of detail to be attended to—making up the
Saturday dramatic page, selecting the pictures and arranging the layout,
seeing publicity people or letting them see you, once a week—that sort
of thing. You can take all that off my hands, besides doing some of the
shows for me. There’s two opening tonight, and I’d like to have you do
one of them.” He felt in his pocket, and took out two envelopes. A
little apologetically, he said, “I’m sending you to the one I don’t want
to do myself—but you’ll get a chance at the real shows a little later.
All right?”
“I’m—everlastingly grateful to you,” said Felix. “Is this all settled
with—with Mr. Devoe?”
“Oh, yes. You made quite a hit with the Old Man, you know—something you
wrote in that thing you did for me—something about the fatted laugh and
the prodigal joke—I forget, but he went around the shop all morning that
day repeating it to everybody. Yes, the Old Man thinks you’re all right.
You’d better go in and see him; not now—I want to tell you some more
about this job. Have a cigarette?”
Public-domain text, read in full here on John Shaqi.
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