American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
“Well,” said Rose-Ann, “that being the case, I wouldn’t insist on
full-dress. I’ll be content if you come half way. I mean, dinner
clothes. It’s the silly long-tailed coat that you object to, isn’t it? I
don’t like it myself. Dinner clothes would be very becoming to you,
though.”
“But I haven’t any money—” he began.
“Felix,” she said, “how many times must we argue that out? If you
haven’t any money, I have—not much, but enough to get ourselves started
on. And do you want me to let it lie in the bank at Springfield while we
do without things we need? You want me to look nice, don’t you? And if I
didn’t have a decent dress to go to the theatre with you in, and you
could help me get one, you’d want to, wouldn’t you?”
“Do I look so bad as all that?” he asked, looking down at his rather
worn blue serge suit.
“You look very nice, Felix,” she said, coming over and kissing him. “But
you do need some new clothes, that’s a fact. And really, if you’re going
to be a dramatic critic—. As long as we bought our own seats, in the
balcony, it was all right to go in our ‘working clothes.’ But I think—”
“Oh, all right!” he said gloomily.
4
Nevertheless, the prospect of evening clothes did not spoil his
enjoyment of the play and Rose-Ann. It was a rather silly play, and they
bubbled over with amused comments upon it on their way back to the St.
Dunstan. “I must remember all these things, and put them into my
criticism,” he remarked.
“Why don’t you write it tonight,” she said.
“At the hotel? I haven’t a typewriter, for one thing.”
“But I have mine. Why don’t you say it off to me, and I’ll take it down.
Then you’ll have it over with, and we can mail it tonight, and then we
can talk as late as we want to, without having to think of
getting-up-time in the morning. Now that you’re a dramatic critic, you
don’t have to keep such regular working hours.”
Really, it seemed an admirable plan. “But won’t the other people in the
hotel object to a typewriter being pounded at this hour of the night?”
“Let them! If they complain, we’ll say we’re sorry, and promise not to
do it again! And by the next time, we’ll be in some place of our own
where we can pound a typewriter all night if we want to—I hope!”
Felix stored that away in his memory as one of Rose-Ann’s specifications
for a place to live—a place where one could run a typewriter all
night.... It was going to be hard to find such a place!
Rose-Ann exchanged her black velvet frock for a flame-coloured
kimono—which, as he noted, matched her hair when the light shone through
its stray curls—and sat down at the typewriter.
“Ready!”
Felix dictated for half an hour, only occasionally thinking of their
neighbours on the other side of these thin hotel partitions. Still, it
was not yet midnight. “I guess that’s enough,” he said at last.
Public-domain text, read in full here on John Shaqi.
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