American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
Felix’s new loose-fitting homespun clothes, with their air of having
been worn in to town from a country-club, helped Felix to feel the
rightful possessor of this leisure, and to assume its proper air. Silk
shirts with soft collars, and Windsor ties, bought by Rose-Ann, and
approved by Clive, helped still more.
After all, if the management liked his work, if he was no longer on
trial, but an accepted person, privileged to do about as he pleased, why
should he maintain his old anxieties and disguises? Why try to look like
an efficient young business man? Nobody wanted him to! Why not be
comfortable, in a soft collar and homespun clothes? Yes, why not?
In this mood, he bought himself a stick, on his own initiative.... He
had always wanted to carry a stick, and had never quite dared. His
clothes had never been quite up to it. Perhaps they were not quite up to
it now. But there was nothing dandified about this stick; it was no
silver-plated confection, just a simple stick of light bamboo, covered
with a shiny black lacquer—a real stick. It suited him; he liked the
smooth firm lacquered surface, he liked the feel of it in his hand,
lightly swinging, or hanging from the crook of his arm. And Rose-Ann
liked it, too. He felt that it gave him the touch of confidence he had
lacked in his new position; with that stick on his arm, he could saunter
into the Chronicle office at ten o’clock in the morning without a qualm.
2
Just after his evening clothes were finished, they were invited casually
to one of Mr. and Mrs. Howard Morgan’s evenings, and Felix was assured
by Rose-Ann that it was an occasion which a dinner coat would
appropriately grace; she also remarked that ordinary clothes would be
all right. That seemed to make it rather a test of his moral courage,
and so he wore his evening clothes....
Howard Morgan was a poet, one of the few in America for whom Felix had
any respect. Felix had been introduced to him once, under rather
inauspicious circumstances—one evening when, deep in kalsomine, he was
painting a back drop for Rose-Ann in the little Community Theatre, which
the great man was being shown, in what was apparently a tour of
inspection of Community House. Rose-Ann had met him then, too, and, less
abashed by her kalsomine-smeared apron and hastily turbaned hair, had
talked with him; and he had remembered her, and sent a message by some
one in Community House to come up to his next “Friday evening” and bring
her husband.
Public-domain text, read in full here on John Shaqi.
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