She could not bear to desecrate him further. Then the winter song
swept past in his voice, sweet, full, sorrowful, as if it wished to
make all clear to her; and, tractable as a child, she composed herself
and listened. What did it say? That her dreams united two summers,
the one which had been and the one which was slowly struggling up
anew. Thanks be to the dreams which had awakened it. It said, too,
that the dreams were something in themselves often of greater truth
than reality itself. She had felt this when she was tending her
flowers.
In her uneasy tossing in her bed, her plait had come close to her
hand. Sadly she drew it forward; he had kissed it again to-day. And so
she lay on her side, and took it between her hands, and cried.
"Mamma, mamma!" she heard whispered, and thus she slept.
_THE NOVELS OF BJOeRNSTJERNE BJOeRNSON_
_Edited by EDMUND GOSSE_
_Fcap. 8vo, cloth, 3s. net_
_Synnoeve Solbakken_
_Arne_
_A Happy Boy_
_The Fisher Lass_
_The Bridal March, & One Day_
_Magnhild, & Dust_
_Captain Mansana, & Mother's Hands_
_Absalom's Hair, & A Painful Memory_
_LONDON_
_WILLIAM HEINEMANN_
_21 Bedford Street, W. C._
_Printed by_ Ballantyne, Hanson & Co. _London and Edinburgh_
End of Project Gutenberg's The Bridal March; One Day, by Bjornstjerne Bjornson
Public-domain text, read in full here on John Shaqi.
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