Arranged marriage -- Fiction; Historical fiction; Love stories; Psychological fiction; Scotland -- Fiction; Women murderers -- Fiction
They now approached the hut of Old Alice, which had of late been
rendered more comfortable, and presented an appearance less
picturesque, perhaps, but far neater than before. The old woman was on
her accustomed seat beneath the weeping birch, basking, with the
listless enjoyment of age and infirmity, in the beams of the autumn
sun. At the arrival of her visitors she turned her head towards them.
“I hear your step, Miss Ashton,” she said, “but the gentleman who
attends you is not my lord, your father.”
“And why should you think so, Alice?” said Lucy; “or how is it possible
for you to judge so accurately by the sound of a step, on this firm
earth, and in the open air?”
“My hearing, my child, has been sharpened by my blindness, and I can
now draw conclusions from the slightest sounds, which formerly reached
my ears as unheeded as they now approach yours. Necessity is a stern
but an excellent schoolmistress, and she that has lost her sight must
collect her information from other sources.”
“Well, you hear a man’s step, I grant it,” said Lucy; “but why, Alice,
may it not be my father’s?”
“The pace of age, my love, is timid and cautious: the foot takes leave
of the earth slowly, and is planted down upon it with hesitation; it is
the hasty and determined step of youth that I now hear, and—could I
give credit to so strange a thought—I should say is was the step of a
Ravenswood.”
“This is indeed,” said Ravenswood, “an acuteness of organ which I could
not have credited had I not witnessed it. I am indeed the Master of
Ravenswood, Alice,—the son of your old master.”
“You!” said the old woman, with almost a scream of surprise—“you the
Master of Ravenswood—here—in this place, and thus accompanied! I cannot
believe it. Let me pass my old hand over your face, that my touch may
bear witness to my ears.”
The Master sate down beside her on the earthen bank, and permitted her
to touch his features with her trembling hand.
“It is indeed!” she said—“it is the features as well as the voice of
Ravenswood—the high lines of pride, as well as the bold and haughty
tone. But what do you here, Master of Ravenswood?—what do you in your
enemy’s domain, and in company with his child?” As Old Alice spoke, her
face kindled, as probably that of an ancient feudal vassal might have
done in whose presence his youthful liege-lord had showed some symptom
of degenerating from the spirit of his ancestors.
“The Master of Ravenswood,” said Lucy, who liked not the tone of this
expostulation, and was desirous to abridge it, “is upon a visit to my
father.”
“Indeed!” said the old blind woman, in an accent of surprise.
“I knew,” continued Lucy, “I should do him a pleasure by conducting him
to your cottage.”
“Where, to say the truth, Alice,” said Ravenswood, “I expected a more
cordial reception.”
Public-domain text, read in full here on John Shaqi.
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