Arranged marriage -- Fiction; Historical fiction; Love stories; Psychological fiction; Scotland -- Fiction; Women murderers -- Fiction
With one bitter pang he adopted this resolution, just as he came to
where two paths parted: the one to the Mermaiden’s Fountain, where he
knew Lucy waited him, the other leading to the castle by another and
more circuitous road. He paused an instant when about to take the
latter path, thinking what apology he should make for conduct which
must needs seem extraordinary, and had just muttered to himself,
“Sudden news from Edinburgh—any pretext will serve; only let me dally
no longer here,” when young Henry came flying up to him, half out of
breath: “Master, Master you must give Lucy your arm back to the castle,
for I cannot give her mine; for Norman is waiting for me, and I am to
go with him to make his ring-walk, and I would not stay away for a gold
Jacobus; and Lucy is afraid to walk home alone, though all the wild
nowt have been shot, and so you must come away directly.”
Betwixt two scales equally loaded, a feather’s weight will turn the
scale. “It is impossible for me to leave the young lady in the wood
alone,” said Ravenswood; “to see her once more can be of little
consequence, after the frequent meetings we have had. I ought, too, in
courtesy, to apprise her of my intention to quit the castle.”
And having thus satisfied himself that he was taking not only a wise,
but an absolutely necessary, step, he took the path to the fatal
fountain. Henry no sooner saw him on the way to join his sister than he
was off like lightning in another direction, to enjoy the society of
the forester in their congenial pursuits. Ravenswood, not allowing
himself to give a second thought to the propriety of his own conduct,
walked with a quick step towards the stream, where he found Lucy seated
alone by the ruin.
She sate upon one of the disjointed stones of the ancient fountain, and
seemed to watch the progress of its current, as it bubbled forth to
daylight, in gay and sparkling profusion, from under the shadow of the
ribbed and darksome vault, with which veneration, or perhaps remorse,
had canopied its source. To a superstitious eye, Lucy Ashton, folded in
her plaided mantle, with her long hair, escaping partly from the snood
and falling upon her silver neck, might have suggested the idea of the
murdered Nymph of the fountain. But Ravenswood only saw a female
exquisitely beautiful, and rendered yet more so in his eyes—how could
it be otherwise?—by the consciousness that she had placed her
affections on him. As he gazed on her, he felt his fixed resolution
melting like wax in the sun, and hastened, therefore, from his
concealment in the neighbouring thicket. She saluted him, but did not
arise from the stone on which she was seated.
“My madcap brother,” she said, “has left me, but I expect him back in a
few minutes; for, fortunately, as anything pleases him for a minute,
nothing has charms for him much longer.”
Public-domain text, read in full here on John Shaqi.
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