Arranged marriage -- Fiction; Historical fiction; Love stories; Psychological fiction; Scotland -- Fiction; Women murderers -- Fiction
Although the mutual hatred betwixt these hags and the rest of mankind
had steeled their hearts against all impressions of festivity, this was
by no means the case with the multitude at large. The splendour of the
bridal retinue, the gay dresses, the spirited horses, the blythesome
appearance of the handsome women and gallant gentlemen assembled upon
the occasion, had the usual effect upon the minds of the populace. The
repeated shouts of “Ashton and Bucklaw for ever!” the discharge of
pistols, guns, and musketoons, to give what was called the bridal shot,
evinced the interest the people took in the occasion of the cavalcade,
as they accompanied it upon their return to the castle. If there was
here and there an elder peasant or his wife who sneered at the pomp of
the upstart family, and remembered the days of the long-descended
Ravenswoods, even they, attracted by the plentiful cheer which the
castle that day afforded to rich and poor, held their way thither, and
acknowledged, notwithstanding their prejudices, the influence of
_l’Amphitrion où l’on dîne_.
Thus accompanied with the attendance both of rich and poor, Lucy
returned to her father’s house. Bucklaw used his privilege of riding
next to the bride, but, new to such a situation, rather endeavoured to
attract attention by the display of his person and horsemanship, than
by any attempt to address her in private. They reached the castle in
safety, amid a thousand joyous acclamations.
It is well known that the weddings of ancient days were celebrated with
a festive publicity rejected by the delicacy of modern times. The
marriage guests, on the present occasion, were regaled with a banquet
of unbounded profusion, the relics of which, after the domestics had
feasted in their turn, were distributed among the shouting crowd, with
as many barrels of ale as made the hilarity without correspond to that
within the castle. The gentlemen, according to the fashion of the
times, indulged, for the most part, in deep draughts of the richest
wines, while the ladies, prepared for the ball which always closed a
bridal entertainment, impatiently expected their arrival in the state
gallery. At length the social party broke up at a late hour, and the
gentlemen crowded into the saloon, where, enlivened by wine and the
joyful occasion, they laid aside their swords and handed their
impatient partners to the floor. The music already rung from the
gallery, along the fretted roof of the ancient state apartment.
According to strict etiquette, the bride ought to have opened the ball;
but Lady Ashton, making an apology on account of her daughter’s health,
offered her own hand to Bucklaw as substitute for her daughter’s. But
as Lady Ashton raised her head gracefully, expecting the strain at
which she was to begin the dance, she was so much struck by an
unexpected alteration in the ornaments of the apartment that she was
surprised into an exclamation, “Who has dared to change the pictures?”
Public-domain text, read in full here on John Shaqi.
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