Arranged marriage -- Fiction; Historical fiction; Love stories; Psychological fiction; Scotland -- Fiction; Women murderers -- Fiction
By adopting the cautious mode of approach recommended by the proprietor
of this wild hold, they entered the courtyard in safety. But it was
long ere the efforts of Ravenswood, though loudly exerted by knocking
at the low-browed entrance, and repeated shouts to Caleb to open the
gate and admit them, received any answer.
“The old man must be departed,” he began to say, “or fallen into some
fit; for the noise I have made would have waked the seven sleepers.”
At length a timid and hesitating voice replied: “Master—Master of
Ravenswood, is it you?”
“Yes, it is I, Caleb; open the door quickly.”
“But it is you in very blood and body? For I would sooner face fifty
deevils as my master’s ghaist, or even his wraith; wherefore, aroint
ye, if ye were ten times my master, unless ye come in bodily shape,
lith and limb.”
“It is I, you old fool,” answered Ravenswood, “in bodily shape and
alive, save that I am half dead with cold.”
The light at the upper window disappeared, and glancing from loophole
to loophole in slow succession, gave intimation that the bearer was in
the act of descending, with great deliberation, a winding staircase
occupying one of the turrets which graced the angles of the old tower.
The tardiness of his descent extracted some exclamations of impatience
from Ravenswood, and several oaths from his less patient and more
mecurial companion. Caleb again paused ere he unbolted the door, and
once more asked if they were men of mould that demanded entrance at
this time of night.
“Were I near you, you old fool,” said Bucklaw, “I would give you
sufficient proofs of _my_ bodily condition.”
“Open the gate, Caleb,” said his master, in a more soothing tone,
partly from his regard to the ancient and faithful seneschal, partly
perhaps because he thought that angry words would be thrown away, so
long as Caleb had a stout iron-clenched oaken door betwixt his person
and the speakers.
Public-domain text, read in full here on John Shaqi.
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