The bride's fate: The sequel to "The changed brides"Southworth, Emma Dorothy Eliza Nevitte
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The bride's fate: The sequel to "The changed brides"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“Uncle,” said Drusilla, “he was lodging at this house, when we first
came. He left, I think, the same evening. But he knew that we also were
lodging here; for while we were driving out to leave our cards he came
in and cut off a lock of little Lenny’s hair, and took it away with
him.”
“When was this?”
“The first day we went driving, uncle; the day before the Derby.”
“Humph! humph! humph! And he left the same evening? and he has not been
here since?”
“I believe so, uncle.”
“Humph, humph; it is clear that the sight of us sent him away. I don’t
wonder at that. I only wonder it did not blast him.”
“Oh, uncle, uncle!” pleaded Drusilla.
“My dear, your love may in time—or in eternity—redeem the fellow, for
ought I know. But it has not yet changed him into an angel of light or
even into a decently behaved devil, for a very devil with any decency
left in him would have come round long before this. Well, well, there, I
see how much I distress you. I will say no more, my dear; I will say no
more.”
Drusilla bowed in silence and turned away. Her heart was too full for
utterance. Her voice was choked with emotion. She felt all the more
deeply hurt by her uncle’s severe strictures upon her Alick, because she
knew them to be the expression of his real and but too well-founded
opinion. And neither could she resent them, coming from him. She owed
him too vast a debt of gratitude. He had saved her life and her child’s
life in their utmost extremity. And besides, he was Alick’s uncle, and
the head of his family; he had himself, in the person of his beloved
granddaughter, been deeply wronged by his nephew and so had the right to
sit in judgment on him.
Thus because she heard this blame cast upon her still beloved Alick
without the moral power of resenting it, she suffered in silence.
Not long, however. The cloud soon lifted itself and rolled away. Little
Lenny came to her with his whistle.
“Put dit ’way. Lenny tired. Lenny daw ate,” he said, pushing the toy up
into her lap.
“Put it away, mamma. Lenny is tired, and Lenny’s jaws ache and no
wonder,” said Anna, smiling. “We are all glad that Master Lenny’s jaws
can ache with all his tooting, as well as our ears.”
“’Top naddin’,” answered Lenny.
“‘Stop nagging’? Where did he pick up that phrase, eh, Master Lenny? You
don’t hear it from any of us.”
“Come, my dears, if we are to see the Tower before dinner, we had better
start at once. Is Lenny to go with us, Drusa?”
“Yes, sir, if you please.”
“You know that I always like to have the little fellow.”
“But I shall stipulate that the whistle be left behind. We shall find
instruments of torture enough in the Tower; though I don’t believe the
utmost ingenuity of cruelty ever thought of a child’s whistle wherewith
to torment a victim. That was left for Mr. Alick.”
Public-domain text, read in full here on John Shaqi.
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