The bride's fate: The sequel to "The changed brides"Southworth, Emma Dorothy Eliza Nevitte
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The bride's fate: The sequel to "The changed brides"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“Drusa, dear, this was the way of it: Grandpa and Dick wished to explain
to me the necessity of their immediate departure for Southampton. Little
Lenny and his nurse were in the room. Grandpa and Dick did not want any
other listener than myself, so they told Pina to take the child down to
the sidewalk, thinking, of course, that so careful a nurse would keep
him in the shade. So you see the girl was not to blame for taking the
child out; though certainly I think she _is_ for keeping him out so
long. But still I don’t think you need be uneasy, Drusa. Pina is no
strange nurse. You have known her well for three years, and she has had
the care of your child for two, and has always proved herself worthy of
the trust. I hope you are not uneasy about him?”
“Oh, no! That is, I know I have no reason to be so, for Pina takes as
great care of him as I could myself, only I think mothers are always
uneasy when their infants are out of sight. I _wish_ she would return.”
“Oh, she will be back in a few minutes,” said Anna, cheerfully.
“Listen! there is some one coming up,” said Drusilla.
Steps and voices were indeed heard near the room, and almost immediately
there was a knock at the door.
“Come in,” said Anna.
The door was opened by a waiter, who put in his head and said:
“If you please, my ladies, here is a policeman brought home your
nursemaid almost in fits.”
“Lenny! where is Lenny? Has anything happened to him? Have you brought
home my child?” cried Drusilla, starting up and rushing to the door
before Anna could even answer.
“My child! my child! where is my child?” she cried, clasping her hands
in an agony of terror.
“My lady, from the girl’s ravings I’m afeard she has—well, not to make
it any worse than what it is—mislaid the child some’rs or other,” said
the policeman, coming forward half helping and half dragging Pina, who,
as soon as she saw her mistress, sank with a gasp of mute anguish at her
feet.
“Lenny! Lenny lost! Oh, Father! Oh, Heavenly Father, have mercy!” cried
Drusilla, reeling back into the arms of Anna, who sprang forward to
support her.
“The child missing! What do you mean? It cannot be! Pina, where is
little Lenny?” demanded Anna, scarcely able to control her own terror
and distress, even while she sustained the agonized mother. “Answer me,
Pina, I say! Where is little Lenny?”
But Pina was past answering, past everything but grovelling at their
feet and howling and tearing her hair.
“Has the girl gone suddenly mad and so lost the child? Policeman, where
and under what circumstances did you find her? Waiter, bring forward
that easy-chair.”
The chair was rolled forward and Drusilla was eased into it, where she
sat pale, and mute, every sense on the _qui vive_ to hear the
policeman’s story. Terrified, agonized, yet with a mighty effort holding
herself still and calm, the bereaved young mother sat and listened to
the policeman’s account of his meeting with the nurse, after the loss of
the child.
Public-domain text, read in full here on John Shaqi.
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