The bride's fate: The sequel to "The changed brides"Southworth, Emma Dorothy Eliza Nevitte
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The bride's fate: The sequel to "The changed brides"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
To her dark and gloomy life he had come like some beautiful, brilliant
bird of Heaven, and she prized him and delighted in him. It was
something of the same sort of natural passion that a child feels for its
first wonderful wax doll, or its first beautiful live pet, only it was
much more intense, inasmuch as this was a living, loving talking doll—a
beautiful, intelligent human pet.
And so she kissed him, and hugged him, and shook him, and danced him,
and prattled to him, and called him all the sweet names that, on such
cases, spring spontaneously to the lips of girls and women.
And Lenny, in his gracious, genial nature, gave kiss for kiss, and
caress for caress.
I think if poor Drusilla, waking in her agony of bereavement, that same
morning, could have seen, as in a magic glass, these two friends—the
girl and the baby,—she would have been contented,—no, not that, but she
would have felt comforted.
“Lenny love Met,” said the child, patting her cheeks.
“And ‘Met’ loves Lenny dearly, dearly, dearly! and nobody shall hurt
him—they shall kill ‘Met’ first!”
Now, as “hurt” and “kill” were words that had never been introduced into
this cherished baby’s vocabulary, he did not understand and did not know
how to reply; but he felt that _love_ was meant throughout, and he knew
how to answer _that_. So he patted Meg’s cheeks and kissed her lips.
And now as the long-lingering light of day stole into that wretched
attic-chamber, it brought out strange pictures. The yellow rays of the
sun, striking obliquely through the window in the roof, fell upon the
corner occupied by Meg and Lenny, and lighted up a picturesque
group,—the beautiful, golden-haired, blue-eyed baby-boy, fair as one of
Rafael’s pictured angels, with his rosy arms clasped around the neck of
the wild, dark, gipsyish girl, who held him on her lap; and their
surroundings,—the poor pallet, the little stone-jug of milk, the bare
boards, and the broken walls. This was the only sunny scene in the room.
In the shadows were other scenes, best left in darkness,—the beldam in
her foul bed, and the two men sprawling on the naked floor. All these
were dead to all surrounding life, for they were heavily sleeping off
the effects of the last night’s gin-drinking.
To return to the “sunny” spot occupied by the girl and the baby. She was
still caressing him.
“Would Lenny like his breakfast now?” she asked.
“Yes, Lenny like breakfas’. But go in baf-tub first.”
“Go—where?” inquired the girl, quite bewildered.
“In baf-tub! baf-tub! baf-tub! wash!”
“Oh, bath-tub! My bonny bird, we have got no bath-tub here, but ‘Met’
will wash you clean—will she?”
“Yes, Met wash.”
“Will Lenny be afraid to stay here while ‘Met’ goes to fetch water?”
“’Faid? what ’faid?”
“You don’t know? Well, I hope you never will.”
“What ’faid? what ’faid? what ’faid?” peremptorily demanded this
despotic little inquisitor.
“’Faid is—bad, naughty,” said Meg, after some little perplexity.
“No, Lenny not ’faid.”
Public-domain text, read in full here on John Shaqi.
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