The bride's fate: The sequel to "The changed brides"Southworth, Emma Dorothy Eliza Nevitte
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The bride's fate: The sequel to "The changed brides"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“This is all very pretty, my dears,” he said, “but we don’t want to
begin our voyage with bad colds.”
So they went into the little drawing-room, with which you are so well
acquainted, the lovely little drawing-room, where Drusilla had watched
out so many weary nights.
A cheerful fire was burning in the grate; and early spring flowers were
blooming in the vases; and the curtains that separated it from the
little dining-room were drawn aside, showing the snowy damask, shining
silver, and Sevres china, of a well-set supper-table.
When they had stood before the fire a few moments to evaporate the
slight dampness from their clothes and to look around upon the pretty
place, the servants were summoned to show them to their several rooms.
Drusilla, attended by mammy, carrying little Leonard, went up to her own
chamber.
It was looking very fresh and bright, pretty and attractive, with its
crimson carpet and snowy curtains and its cheerful wood fire.
But with what feelings did the young wife and mother enter again this
chamber, so filled with sweet and bitter memories?
Certainly with some sadness at the thoughts of all the happiness and the
misery she had felt in this place. But also with much thankfulness, that
she and her child had passed through the fiery trials unscathed—had come
forth from them sound in body and mind; and were now blessed with health
and happiness and many friends.
She sank on her knees for a moment and returned sincere thanks to Divine
Providence. And then she arose and made a few necessary changes in her
dress, and went below, to await her friends in the drawing-room.
They soon joined her there.
And then the supper, prepared with mammy’s best skill, was placed upon
the table and the party sat down with good appetites to enjoy it.
Afterwards Drusilla tried the tone of her new piano, the one that had
been ordered and sent to the cottage by her agent when she was expecting
to take her friends there to spend the winter.
She found it out of tune from disuse, and so gave up the attempt to
bring harmony out of it, for that evening.
She rang and brought “mammy” up into the drawing-room and said:
“Mammy, I shall write to my agent to send a man out here to put this
instrument in tune. And after that you must make a fire in this room
every wet day and you must play on it.”
“Play on the fire, ma’am!”
“No, on the piano.”
“On the pianner!”
“Yes, I tell you.”
“Why la, ma’am, I couldn’t do it! It ain’t likely as I could! I don’t
know nothing about it! I couldn’t play a tune, not no, if the salvation
of my mortial soul depended on to it! I could play on the jewsharp, if
that would do.”
Drusilla smiled and said:
“I don’t suppose you could play any pieces on this instrument. But I
tell you what I want you to do. Look here—”
And Drusilla opened the piano and sat down before it. And mammy followed
her and stood watching her motions.
Public-domain text, read in full here on John Shaqi.
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