The bridge of lightVerrill, A. Hyatt (Alpheus Hyatt)
Science
The bridge of light
Verrill, A. Hyatt (Alpheus Hyatt)
Adventure stories; Central America -- Fiction; Mayas -- Fiction; Science fiction
“Come, time passes,” I commanded him. “Today Kinich Ahau must be
satisfied with the offices of the little priests. Kukulcan demands your
presence. Lead the way, O, Kinchi Haman.”
There was nothing he could do but obey. Still shaking and terrified, he
led the way to the waiting litters and, surrounded by the plumed guards
and richly-clad nobles, we were carried to the great temple of the
Plumed Serpent. Everywhere, filling the great plaza, covering the flat
house-tops, crowding the streets, were the people, awaiting me, eager
to witness the ceremony of the setting sun conducted by the Son of
Kukulcan before the altar of his father. Up the broad stone stairs of
the great pyramidal _Kus_ we ascended. Thrice the terrace at its summit
we passed, and then, descending from our litters, I followed Kinchi
Haman into the narrow, tapering doorway of the temple proper. My every
sense was on the alert, my nerves keyed up. I was rapidly approaching
a climax that would end either in my death or by raising me to supreme
power, and it behooved me to take advantage of every opportunity.
I noted every detail of my surroundings, took in everything. And
despite the danger I was in, despite the strain I was under and the
dangerous part I was to play, I found my scientific interest in my
surroundings rapidly overriding all other considerations. Scores,
hundreds of times I had delved and wandered among the ruins of
ancient Mayan temples. The form, the entrance, the narrow yard-wide
passageway, the sculptures upon the stones, the frescoes on the walls,
the strangely stepped-in ceiling, all were familiar. But never before
had an archeologist seen the interior of a Mayan temple as it was when
in daily use. No other scientist had ever seen one of the temples when
it was occupied, when it contained the fittings, the furnishings, the
objects devoted to the worship of the almost unknown Mayan gods. And
so little was known of the people and their religion, that no one--not
even Joyce or Morley, Saville or even Cervantes, had ever been able
to imagine or revisualize these things. Yet here was I, following
the high priest through the labyrinth of narrow corridors within a
temple filled with objects such as no museum in the world possessed.
Wonderful tapestries and textiles, and marvelous hangings covered with
magnificent feather pictures covered the walls. In tiny niches, images
of gods, of divinities, of sacred birds and beasts of solid gold, of
jade, of lapis, of crystal and of amethyst were placed.
Public-domain text, read in full here on John Shaqi.
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