The bridge of lightVerrill, A. Hyatt (Alpheus Hyatt)
Science
The bridge of light
Verrill, A. Hyatt (Alpheus Hyatt)
Adventure stories; Central America -- Fiction; Mayas -- Fiction; Science fiction
Ahead we heard the sounds of running feet. Into dark doorways and
openings the fleeing priests and guards darted at our approach. But
though we searched hastily in each, we found no trace of Kinchi Haman.
On we rushed; somewhere beyond was the man we sought; misshapen,
dwarfed, he could not run fast; we must soon overtake him. A startled
yell came from the prince who now was leading. He checked himself and
sprang back, collided with me, and together we rolled upon the floor
and over us tripped our frightened but still faithful men. A metallic
clang echoed through the passage and a massive metal gate dropped like
a portcullis, barring the corridor before us.
For a moment we stared, dazed, balked. Then with a wild hope I seized
the bamboo tube that had fallen from my hand, sprang forward, and
pointed it at the metal bars. Instantly they glowed, and like bars of
wax, they melted and vanished. Our way was clear; once again we dashed
on. Before us rose a low flight of steps, and scrambling up these
like a gigantic spider, we saw the high-priest. A moment more and he
would gain the doorway at the summit of the steps and we would be too
late. Drawing my pistol, I fired as I ran. Like a clap of thunder the
report roared in deafening echoes in the narrow passage; sulphurous
smoke filled the air. The next second we reached the stairs, but Kinchi
Haman had again eluded us. The door through which he had passed had
been left ajar and it swung open at our touch. We found ourselves in
a circular room like the bottom of a well, for it extended upwards to
vast heights--perhaps to the very summit of the temple. The floor was
flagged with huge stones so laid that their joints radiated from the
centre of the room.
The beautifully frescoed stone walls were covered with intricate
symbolic paintings of gods, priests, sacrifices and Mayan writing.
In the centre of the place was a circular row of polished, tapering
columns of vivid blue stone inlaid with gold, and rising for fully
fifty feet to support an ornate roof or canopy of intricately-wrought
silver. In the centre of the row of columns was a raised dais of
blood-red stone, and seated upon this was the image of a hideous,
misshapen, bestial god; a thing with human limbs and body, leering
savage eyes; with huge gleaming fangs projecting from half-opened jaws
from which a slavering tongue protruded. In place of ears were the
conventionalized heads of rattlesnakes; the nose was an eagle’s beak;
in one claw-like hand he held a human heart, in the other a ghastly
distorted human head. He was carved from a single immense block of
black stone, and covering his chest was a great, gleaming, gem-studded
disk of gold bearing a human face surrounded by rays--the symbol of the
sun.
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Public-domain text, read in full here on John Shaqi.
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