The bridge of lightVerrill, A. Hyatt (Alpheus Hyatt)
Science
The bridge of light
Verrill, A. Hyatt (Alpheus Hyatt)
Adventure stories; Central America -- Fiction; Mayas -- Fiction; Science fiction
Still holding my hand, she led me down the rocky passage, while
all about us the strange light glowed. Whence it came I could not
discover. I could see no device, no contrivance, no source to account
for the light. Even where it streamed across the chasm, where it
formed that miraculous bridge of light, it seemed to issue from the
solid rock. It was all incomprehensible, incredible. The only real,
natural, understandable thing I had seen was Itza, and while she was
real and natural and lovable enough, yet even some of her words were
incomprehensible to me. That she had mistaken me for a god, for the
descendant of the Plumed Serpent, was not surprising. She and her
people, of course, knew of the ancient prophecy, they had--as she
herself had said--been long awaiting the appearance of some messenger
bearing the token, the symbol of the Book of Kukulcan, and when she
had seen me, a white man and bearded, she had naturally thought me
either the bearded god himself or one of his sons. But who was this
high-priest Kinchi Haman whom she both revered and feared? Who was this
Kinich Ahau, whom she was to wed at the next new cycle of Tonalmatl?
Well, I’d soon know, and would have something to say about whom she
was to wed. And if Itza’s people looked upon me as an incarnated god,
as the son of Kukulcan, what I had to say would carry weight. Even a
high-priest would hardly dare defy the son of the Plumed Serpent, the
bearer of the Book of Kukulcan. And even if he did, I’d have Itza for
myself despite him and his fellows. If it came to a matter of force, I
was quite prepared to slay the priest with my own hands. So elated was
I, so filled with my new found happiness, so overwhelmingly in love
with Itza, that no thought of danger; no thought of failure entered my
mind. I felt able to cope with anything, to overcome anything, to defy
the world if necessary. Nothing mattered but Itza, and I drew her to me
and kissed her head, her neck, her upturned lips as we hurried on.
But even in my obsession I noted something of our surroundings. I
saw that the tunnel through which we were passing had been cut by
hand--tool marks were everywhere visible upon the walls and roof, and
at frequent intervals the rock was covered with sculptured figures
and glyphs. In places, too, it led downwards in series of steps, and
descending one of these flights of stone stairs and turning sharply to
the left, we came abruptly to the end of the passage with an arched
opening framing a section of a gorgeous sunset, of golden and crimson
clouds above a purple range of lofty mountains.
* * * * *
Public-domain text, read in full here on John Shaqi.
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