The bridge of lightVerrill, A. Hyatt (Alpheus Hyatt)
Science
The bridge of light
Verrill, A. Hyatt (Alpheus Hyatt)
Adventure stories; Central America -- Fiction; Mayas -- Fiction; Science fiction
* * * * *
“My lord has come to Nohul Voh to learn of the road of the symbols,”
he said in his strangely deep voice. “He has come with the last of the
House of Nima Kiche and with the maiden he desires to wed. It is well.
The Kinchi Haman plans and plots, but he can learn nothing of the book
of the future from Nohul Voh. Yet unto you, Itzimin Chac, will I reveal
much. Come, my lord.”
Turning, he led the way through the giant weeds to the base of the
mound, where, opening a massive wooden door, he stood aside, signalled
for us to enter, and closed and fastened the portal behind us. For a
few steps he led the way through a narrow dark passage. Then, without
warning, a soft clear light burst upon us and I stared about in
amazement. Had I been suddenly transported to the laboratory of an
alchemist, I could not have been more surprised. We were in a large
room, and everywhere the walls were hung with mystical figures on
sheets of vellum, with bundles of dried plants and herbs, with the
skulls of men and beasts, stuffed birds and quadrupeds, packages and
bundles, and innumerable odd-shaped vessels and strange utensils.
Hanging near the ceiling in the center of the room was a sphere that
glowed like a miniature moon and illuminated the entire chamber.
Below this was a table of stone covered with sheets of papyrus
bearing innumerable diagrams, symbols, and written Mayan characters,
together with metal instruments and an abacus-like affair. At one side
a pottery vessel, most marvelously like a retort, simmered over a
charcoal brazier. Opposite this was a pillar of carved stone, perhaps
three feet in height by four feet in diameter, and with upright rods
of metal about its circumference. Above this, suspended in mid-air,
without visible support, was a ball of polished green stone which
rotated slowly upon its axis and swung in a circle above the top of the
column, now and then touching one of the upright rods and emitting a
low musical sound. I stared at it fascinated and stepped closer. What
held it there? What unknown unseen power kept it ceaselessly rotating,
following an orbit? Then I saw that the surface of the polished top
of the column was covered with incised lines and glyphs and that, at
the base of each upright rod, was an astronomical symbol. But before I
could make head or tail of the remarkable device, before I could frame
a question, the sorcerer spoke.
Public-domain text, read in full here on John Shaqi.
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