The Bridge of the Gods: A Romance of Indian Oregon. 19th Edition.Balch, Frederic Homer
General
The Bridge of the Gods: A Romance of Indian Oregon. 19th Edition.
Balch, Frederic Homer
Indians of North America -- Fiction; Oregon -- Fiction
While he sat absorbed in these bitter, self-accusing thoughts, the
speaking went on. Wau-ca-cus the Klickitat made a strong "talk,"
picturesque in Indian metaphor, full of energy. But the chief that
followed surpassed him. Orator caught fire from orator; thoughts not
unworthy a civilized audience were struck out by the intensity of the
emulation; speakers rose to heights which they had never reached
before, which they were destined never to reach again. In listening to
and admiring their champions, the tribes forgot the smoking mountains
and the feeling of apprehension that had oppressed them. At length
Snoqualmie made a speech breathing his own daring spirit in every
word. It went immeasurably beyond the others; it was the climax of all
the darkly splendid eloquence of the day.
No, not of all. From his place among the chiefs rose a small and
emaciated figure; the blanket that had muffled his face was thrown
aside, and the tribes looked on the mis-shapen and degraded features
of Tohomish the Pine Voice. He stood silent at first, his eyes bent on
the ground, like a man in a trance. For a moment the spectators forgot
the wonderful eloquence of the man in his ignoble appearance. What
could he do against Wau-ca-cus the Klickitat and Snoqualmie the
Cayuse, whose sonorous utterances still rang in their ears, whose
majestic presence still filled their minds!
"The Willamettes are beaten at last,--the Willamette speakers can no
more be called the best," was the one exultant thought of the allies,
and the Willamettes trembled for the fame of their orators. Back in
the shadow of the cottonwoods, an old Willamette warrior put an arrow
on the string and bent his bow unseen on Tohomish.
"He cannot beat them, and it shall never be said that Tohomish
failed," he muttered. At that moment, even as death hung over him, the
orator's voice was heard beginning his "talk;" and the warrior's hand
fell, the bent bow was relaxed, the arrow dropped from the string. For
with the first accents of that soft and lingering voice the tribes
were thrilled as with the beginning of music.
The orator's head was still bent down, his manner abstracted; he spoke
of the legends and the glories of the Willamette tribe, but spoke of
them as if that tribe belonged to the past, as if it had perished from
the earth, and he was telling the tale of a great dead race. His tones
were melodious but indescribably mournful. When at length he lifted
his face, his eyes shone with a misty light, and his brutal features
were illuminated with a weird enthusiasm. A shudder went through the
vast and motley assembly. No boastful rant was this, but a majestic
story of the past, the story of a nation gone forever. It was the
death-song of the Willamettes, solemnly rendered by the last and
greatest orator of the race.
Public-domain text, read in full here on John Shaqi.
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