The Bridge of the Gods: A Romance of Indian Oregon. 19th Edition.Balch, Frederic Homer
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The Bridge of the Gods: A Romance of Indian Oregon. 19th Edition.
Balch, Frederic Homer
Indians of North America -- Fiction; Oregon -- Fiction
The roar of the Cascades roused Wallulah from her stupor. She stepped
ashore and looked in dazed wonder on the strange new world around her.
Snoqualmie told her briefly that she must walk up the bank to the
place where the canoe was to be launched again above the falls. She
listened mutely, and started to go. But the way was steep and rocky;
the bank was strewn with the débris of the ruined bridge; and she was
unused to such exertion. Snoqualmie saw her stumble and almost fall.
It moved him to a sudden and unwonted pity, and he sprang forward to
help her. She pushed his hand from her as if it had been the touch of
a serpent, and went on alone. His eyes flashed: for all this the
reckoning should come, and soon; woe unto her when it came.
The rough rocks bruised her delicately shod feet, the steep ascent
took away her breath. Again and again she felt as if she must fall;
but the bitter scorn and loathing that Snoqualmie's touch had kindled
gave her strength, and at last she completed the ascent.
Above the falls and close to them, she sat down upon a rock; a slight,
drooping figure, whose dejected pose told of a broken heart.
Before her, almost at her feet, the pent-up river was widened to a
vast flood. Here and there a half-submerged pine lifted its crown
above it; the surface was ruffled by the wind, and white-crested waves
were rolling among the green tree-tops. She looked with indifference
upon the scene. She had not heard that the Bridge had fallen, and was,
of course, ignorant of these new cascades; and they did not impress
her as being strange.
Her whole life was broken up; all the world appeared shattered by the
blow that had fallen on her, and nothing could startle her now. She
felt dimly that some stupendous catastrophe had taken place; yet it
did not appear unnatural. A strange sense of unreality possessed her;
everything seemed an illusion, as if she were a shadow in a land of
shadows. The thought came to her that she was dead, and that her
spirit was passing over the dim ghost trail to the shadow-land. She
tried to shake off the fancy, but all was so vague and dreamlike that
she hardly knew where or what she was; yet over it all brooded the
consciousness of dull, heavy, torturing pain, like the dumb agony that
comes to us in fevered sleep, burdening our dreams with a black
oppressing weight of horror.
Her hand, hanging listlessly at her side, touched her flute, which was
still suspended from her belt by the golden chain. She raised it to
her lips, but only a faint inharmonious note came from it. The music
seemed gone from the flute, as hope was gone from her heart. To her
overwrought nerves, it was the last omen of all. The flute dropped
from her fingers; she covered her face with her hands, and the hot
tears coursed slowly down her cheeks.
Public-domain text, read in full here on John Shaqi.
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