At one place sat an old warrior from the upper Columbia, making arrow-heads, chipping off the little scales of flint with infinite patience, literally _wearing_ the stone into the requisite shape. Beside him lay a small pack of flints brought from beyond the mountains, for such stone was rarely found along the lower Columbia. Squaws sat in front of their wigwams sewing mats,--carefully sorting the rushes, putting big ends with little ends, piercing each with a bodkin, and sewing them all together with a long bone needle threaded with buckskin or sinew. Others were weaving that water-tight wickerwork which was, perhaps, the highest art to which the Oregon Indians ever attained. Here a band of Indians were cooking, feasting, laughing, shouting around a huge sturgeon captured the night before. There a circle of gamblers were playing "hand,"--passing a small stick secretly from hand to hand and guessing whose hand contained it,--singing as they played that monotonous "ho-ha, ho-ha, ho-ha," which was the inseparable accompaniment of dancing, gambling, and horseback riding. Among them all Cecil moved with the calm dignity he had acquired from long intercourse with the Indians. Wherever he went there was silence and respect, for was he not the great white medicine-man? Gambling circles paused in the swift passage of the stick and the monotone of the chant to look and to comment; buyers and sellers stopped to gaze and to question; children who had been building miniature wigwams of sticks or floating bark canoes in the puddles, ran away at his approach and took shelter in the thickets, watching him with twinkling black eyes. Wherever there was opportunity, he stopped and talked, scattering seed-thoughts in the dark minds of the Indians. Wherever he paused a crowd would gather; whenever he entered a wigwam a throng collected at the door. Let us glance for a moment into the domestic life of the Indians as Cecil saw it that morning. He enters one of the large bark huts of the Willamette Indians, a long, low building, capable of sheltering sixty or seventy persons. The part around the door is painted to represent a man's face, and the entrance is through the mouth. Within, he finds a spacious room perhaps eighty or a hundred feet long by twenty wide, with rows of rude bunks rising tier above tier on either side. In the centre are the stones and ashes of the hearth; above is an aperture in the roof for the escape of smoke; around the hearth mats are spread to sit upon; the bare ground, hard and trodden, forms the only floor, and the roof is made of boards that have been split out with mallet and wedges.