World War, 1914-1918 -- Campaigns -- France -- Juvenile fiction
All of this was passing through Ollie Ogden’s mind as they tramped along
and from time to time he could hear “Snooper” Jones grumbling to the men
on either side of him, neither of whom paid the slightest attention to
him, except occasionally to cast upon him a withering glance of scorn
which was at the same time a storm warning which kept him silent for a
time.
Ollie’s contemplations were abruptly cut short as they seemed suddenly
to jump right into the very maelstrom of battle.
In quick succession, as though by a time clock process, the Germans from
their rearmost heavy guns had planted half a dozen highly destructive
shells right into the ranks of the advancing Americans, and
simultaneously, as they skirted what they thought an uninhabited wood,
machine gun nests had opened up a devastating fire upon them.
It was not until later that they realized that their quick advance had
brought them directly upon the rear guard of the German army which,
encumbered as it was by the huge paraphernalia which it carried with it
in its flight, could not move nearly so rapidly as did the pursuers.
The fighting was as bitter as any during the war, and over ground that
already was littered with the bodies of dead Huns—victims of terrific
shrapnel fire poured into their lines as they fled.
Every inch of ground was bitterly contested up to the point where the
licked Germans saw it was useless to hold out further. To silence this
fire it was necessary for the Americans to pick off the snipers and
stalk and capture or demolish the machine gun nests. Bullets fell about
them like hail.
Into the very thick of this Tom Walton and George Harper saw a man rush
forth, rapidly set up a tripod on top of which was a black box affair,
and start turning a crank.
He was a moving picture operator, officially designated with the
American Expeditionary Forces and especially assigned with that
brigade—one of scores of intrepid, courageous fellows who under
circumstances of the greatest stress seemed to show the greatest calm.
These were the men who were preserving to future generations the living,
moving history of America’s participation in the World War, and a dozen
times a day when the panorama of battle was swiftly moving they
fearlessly and without the slightest evidence of outward concern, risked
their lives in the performance of their duty.
Buck Granger once had remarked that this particular operator must bear a
charmed life. Truly it had seemed so, for time and again the lads had
seen him stand forth, motionless except for the regular rhythm of his
right hand which turned the crank of the camera—a challenge and a target
for every German sniper and machine gunner within range. And yet he had
escaped, up to the present, without a scratch.
Public-domain text, read in full here on John Shaqi.
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