The Brighton Road: The Classic Highway to the SouthHarper, Charles G. (Charles George)
History
The Brighton Road: The Classic Highway to the South
Harper, Charles G. (Charles George)
Brighton Road (London, England); England -- Description and travel; England -- Social life and customs
He was not, as often stated, an Irishman, but the son of a man descended
from a thoroughly Sussexian stock. The name of Sayers is well known
throughout Sussex, and in particular at Hand Cross, Burgess Hill, and
Hurstpierpoint. There is even, as we have already seen, a Sayers Common on
the road. Tom Sayers, however, was born at Brighton. He worked as a
bricklayer at building the Preston Viaduct of the Brighton and Lewes
Railway: that great viaduct which spans the Brighton Road as you enter the
town. He retired in 1860, after his fight with Heenan, and when he died,
in 1865, the reputation of prize-fighting died with him.
At the summit of Dale Hill stands Pyecombe, above the junction of roads,
on the rounded shoulder of the downs. The little rubbly and flinty
churches of Pyecombe, Patcham, Preston, and Clayton are very similar in
appearance exteriorly and all are provided with identical towers finished
off with a shingled spirelet of insignificant proportions. This little
Norman church, consisting of a tiny nave and chancel only, is chiefly
interesting as possessing a triple chancel arch and an ancient font.
[Illustration: PATCHAM.]
Over the chancel arch hangs a painting of the Royal Arms, painted in the
time of George the Third, faded and tawdry, with dandified unicorn and a
gamboge lion, all teeth and mane, regarding the congregation on Sundays,
and empty benches at other times, with the most amiable of grins. It is
quite typical of Pyecombe that those old Royal Arms should still remain;
for the place is what it was then, and then it doubtless was what it had
been in the days of good Queen Anne, or even of Elizabeth, to go no
further back. The grey tower tops the hill as it has done since the Middle
Ages, the few cottages cluster about it as of yore, and only those who
lived in those humble homes, or reared that church, are gone. Making the
circuit of the church, I look upon the stone quoins and the bedded flints
of those walls; and as I think how they remain, scarce grizzled by the
weathering of countless storms, and how those builders are not merely
gone, but are as forgotten as though they had never existed, I could
have it in my heart to hate the insensate handiwork of man, to which he
has given an existence: the unfeeling walls of stone and flint and mortar
that can outlast him and the memory of him by, it may well be, a thousand
years.
XXXIII
Public-domain text, read in full here on John Shaqi.
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