Man-woman relationships -- Fiction; Married women -- Fiction; Vermont -- Fiction
"Yes, yes, this minute," he told her, and led the way with Mr. Welles,
leaving Marise and Mr. Bayweather to be showman for Mr. Marsh. He now
remembered that he had not heard the older man say a single word as yet,
and surmised that he probably never said much when the fluent Mr. Marsh
was with him. He wondered a little, as they made their way to the
saw-mill, what Marise saw in either of them to interest her so much. Oh
well, they were a change, of course, from Ashley and Crittenden's
people, and different from the Eugenia Mills bunch, in New York, too.
He stood now, beside Mr. Welles, in the saw-mill, the ringing high
crescendo scream of the saws filling the air. Marise stood at the other
end talking animatedly to the two she had with her. Marise was a wonder
on conversation anyhow. What could she find to say, now, for instance?
What in the world was there to say to an ex-office manager of a big
electrical company about a wood-working business?
His eyes were caught by what one of the men was doing and he yelled at
him sharply, "Look out there, Harry! Stop that! What do I have a guard
rail there for, anyhow?"
"What was the matter?" asked Mr. Welles, startled.
"Oh, nothing much. One of the men dodging under a safety device to save
him a couple of steps. They get so reckless about those saws. You have
to look out for them like a bunch of bad children."
Mr. Welles looked at him earnestly. "Are you . . . have you . . . Mr.
Bayweather has told us so much about all you do for the men . . . how they
are all devoted to you."
Neale looked and felt annoyed. Bayweather and his palaver! "I don't do
anything for them, except give them as good wages as the business will
stand, and as much responsibility for running things as they'll take.
Beyond that, I let them alone. I don't believe in what's known as
'welfare work.' I wouldn't want them messing around in my private life,
and I don't believe they'd like me in theirs."
The necessity to raise his voice to a shout in order to make himself
heard above the tearing scream of the saws made him sound very abrupt
and peremptory, more so than he had meant. As he finished speaking his
eyes met those of the older man, and were held by the clarity and candor
of the other's gaze. They were like a child's eyes in that old face. It
was as though he had been abrupt and impatient to Elly or Mark.
As he looked he saw more than candor and clarity. He saw a deep
weariness.
Public-domain text, read in full here on John Shaqi.
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