Man-woman relationships -- Fiction; Married women -- Fiction; Vermont -- Fiction
He had less and less patience with those fussy little ways, found less
and less amusing those frequent, small cat-like gestures of hers,
picking off an invisible thread from her sleeve, rolling it up to an
invisible ball between her white finger and thumb, and casting it
delicately away; or settling a ring, or brushing off invisible dust with
a flick of a polished finger-nail; all these manoeuvers executed with
such leisure and easy deliberation that they didn't make her seem
restless, and you knew she calculated that effect. A man who had had
years with a real, living woman like Marise, didn't know whether to
laugh or swear at such mannerisms and the self-consciousness that
underlay them.
There she was coming down the stairs now, when she heard Marise at the
piano, with the children, and knew there was no more work to be done.
Pshaw! He had meant to go out and join the others, but now he would wait
a while, till he had finished his pipe. A pipe beside Eugenia's perfumed
cigarettes always seemed so gross. And he wanted to lounge at his ease,
stretch out in his arm-chair with his feet on another. Could you do
that, with Eugenia fashion-plating herself on the sofa?
He leaned back smoking peacefully, listening to Marise's voice brimming
up all around the children's as they romped through "The raggle-taggle
gypsies, oh!"
What a mastery of the piano Marise had, subduing it to the slender pipe
of those child-voices as long as they sang, and rolling out sumptuous
harmonies in the intervals of the song. Lucky kids! Lucky kids! to have
childhood memories like that.
He heard Paul say, "Now let's sing 'Massa's in the cold, cold ground,'"
and Elly shriek out, "No, Mother, _no!_ It's so _terribly_ sad! I can't
stand it!" And Paul answer with that certainty of his always being in
the right, "Aw, Elly, it's not fair. Is it, Mother, fair to have Elly
keep us from singing one of the nicest songs we have, just because she's
so foolish?"
His father frowned. Queer about Paul. He'd do anything for Elly if he
thought her in trouble, would stand up for her against the biggest bully
of the school-yard. But he couldn't keep himself from . . . it was perhaps
because Paul could not _understand_ that . . . now how could Marise meet
this little problem in family equity, he wondered? Her solutions of the
children's knots always tickled him.
Public-domain text, read in full here on John Shaqi.
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