England -- Social life and customs -- Fiction; Science fiction; Time travel -- Fiction
Never in her life had Frida enjoyed anything so much as those first four
happy days at Heymoor. She had come away with Bertram exactly as Bertram
himself desired her to do, without one thought of anything on earth
except to fulfil the higher law of her own nature; and she was happy in
her intercourse with the one man who could understand it, the one
man who had waked it to its fullest pitch, and could make it resound
sympathetically to his touch in every chord and every fibre. They had
chosen a lovely spot on a heather-clad moorland, where she could stroll
alone with Bertram among the gorse and ling, utterly oblivious of Robert
Monteith and the unnatural world she had left for ever behind her.
Her soul drank in deep draughts of the knowledge of good and evil from
Bertram's lips; she felt it was indeed a privilege to be with him and
listen to him; she wondered how she could ever have endured that old bad
life with the lower man who was never her equal, now she had once tasted
and known what life can be when two well-matched souls walk it together,
abreast, in holy fellowship.
The children, too, were as happy as the day was long. The heath was
heaven to them. They loved Bertram well, and were too young to be aware
of anything unusual in the fact of his accompanying them. At the little
inn on the hill-top where they stopped to lodge, nobody asked any
compromising questions: and Bertram felt so sure he could soon complete
his arrangements for taking Frida and the children “home,” as he still
always phrased it, that Frida had no doubts for their future happiness.
As for Robert Monteith, that bleak, cold man, she hardly even remembered
him: Bertram's first kiss seemed almost to have driven the very memory
of her husband clean out of her consciousness. She only regretted, now
she had left him, the false and mistaken sense of duty which had kept
her so long tied to an inferior soul she could never love, and did wrong
to marry.
Public-domain text, read in full here on John Shaqi.
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