The British Interned in SwitzerlandPicot, Henry Philip
History
The British Interned in Switzerland
Picot, Henry Philip
World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Prisoners and prisons, Swiss
Another series of performances, well worthy of remembrance, was that
given by members of the "Comédie Française," with Madame Bartet and
Messieurs Paul Mounet and Lambert in the title rôles. These artists
scored great successes, Monsieur Lambert being recalled no less than
eight times in Berne, and sixteen in Zürich, the very centre of German
influence. With regard to these performances, it may be of interest to
note a passage in the Third Act of "Les Horaces et Curiaces." In Horace
Corneille typifies the Roman ideal, and in Curiace the Gallic. When, in
the Third Act, the two friends and brothers-in-law, chosen by their
respective States to fight each other to the death, meet in a last
farewell interview, Horace brutally says to Curiace: "Rome a besoin de
moi—je ne te connais plus." (Rome needs me—I know thee no more.) Curiace
answers with emotion: "Et moi—je te connais encore, et c'est cela qui me
tue." (And I—I know thee still, and it is that that is killing me.)
Could any words better portray the two fundamentally differing attitudes
of mind between the Roman and the Gaul, or better illustrate the brutal,
if heroic, insentience of the Roman, or the tender and no less heroic
(for the Gaul overthrows the Roman) humanity of the Gaul?
It is said that one nation, in the absence of means of contact, to a
great extent estimates other nations by what it sees of these on the
stage; and doubtless a good deal of truth lies hidden in this saying. To
those who understand both the English and French "théâtre pour rire,"
the realistic farce provides an evening's desultory laugh, the memory of
which dies with the last joke; but to foreign eyes and ears strained,
whether consciously or not, to catch traits of character, a farce may
give birth to very wrong impressions, and become a positive
international danger through false estimates of values. For this reason,
chiefly, it was with the keenest pleasure one welcomed the advent in
Switzerland of the "Comédie Française," the embodiment of all that is
best, highest, and most ideal in France.
Public-domain text, read in full here on John Shaqi.
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