First I seemed to hear a roar of wind through desolate glens, a moan of
trees, and a rush of sounding waters; yet softly, softly there rises
above the flood of sound a little rippling melody which comes, and
goes, and comes again, growing ever sweeter with repetition. And now
the roar of wind is changed to the swing of marching feet, the tread of
a mighty host whose step is strong and free; and lo! they are singing,
as they march, and the song is bold and wild, wild, wild. Again and
again, beneath the song, beneath the rhythm of marching feet, the
melody rises, very sweet but infinitely sad, like a silver pipe or an
angel's voice tremulous with tears. Once again the theme changes, and
it is battle, and death, sudden, and sharp; there is the rush and shock
of charging ranks, and the surge and tumult of conflict, above whose
thunder, loud and clear and shrill, like some battle-cry, the melody
swells, one moment triumphant, and the next lost again.
But the thunder rolls away, distant and more distant—the day is lost,
and won; but, sudden and clear, the melody rings out once more, fuller
now, richer, and complete; the silver pipe has become a golden trumpet.
And yet, what sorrow, what anguish unspeakable rings through it, the
weeping and wailing of a nation! So the melody sinks slowly, to die
away in one long-drawn, minor note, and Donald is looking across at me
with his grave smile, and I will admit both his face and figure are
sadly blurred.
"Donald," said I, after a little, "Donald, I will never speak against
the pipes again; they are indeed the king of all instruments—played as
you play them."
"Ou ay, I'm a bonnie piper, I'll no deny it!" he answered. "I'm glad
ye like it, for, Sassenach though ye be, it proves ye hae the music.
'Tis a bit pibroch I made tae Wullie Wallace—him as the damned
Sassenach murdered—black be their fa'. Aweel! 'twas done afore your
time or mine—so—gude-nict tae ye, Southeron!" Saying which, he rose,
saluted me stiffly, and stalked majestically to bed.
CHAPTER XXIX
HOW BLACK GEORGE AND I SHOOK HANDS
The world was full of sunshine, the blithe song of birds, and the
sweet, pure breath of waking flowers as I rose next morning, and,
coming to the stream, threw myself down beside it and plunged my hands
and arms and head into the limpid water whose contact seemed to fill me
with a wondrous gladness in keeping with the world about me.
In a little while I rose, with the water dripping from me, and having
made shift to dry myself upon my neckcloth, nothing else being
available, returned to the cottage.
Public-domain text, read in full here on John Shaqi.
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